Dispossessing Gender Roles

Throughout the novel The Dispossessed, we are given many possible reasons for why the title of the book is fitting (although, it may also just be a play on Dostoeyvsky’s novel The Possessed).  The Anarresti leave Urras (or are rather exiled) to live on its Moon, a land of great scarcity, and establish a colony lacking of materialism, ownership, and government.  The words mine and yours are taken out of their vocabulary, there’s no form of currency, and no one is a servant to anyone else.

And of those who have become dispossessed, we find women established as equals among men, ridding themselves of the shackles of disregard on display on Urras.  As Shevek notices the rarity of women at the functions he first attends, the men of Urras crack jokes to Shevek, conveying a very old fashioned 1950s style of chauvinism, disclaiming “You know how it is, what women call thinking is done with the uterus!” and expressing disbelief to know some of the Anarresti scientists they studied were women.  On Urras, the women themselves were practically possessions, confined to their homes and children.

But the feminism of The Dispossessed is not merely women exchanging roles with men, such as Antonia’s Line, Le Guin creates a world where men and women are equal but different.  Donna Williams states in Science Fiction Studies, Volume 21  “The calm acknowledgement of physiological gender variations (such as pregnancy hormones) gives evidence of a view in which human equality is not threatened by differences.”  What is most impressive is not that Shevek should gloat about the fact Gvarab and Mitis are women, but that it’d never really occurred to him that it mattered.  With the subtitle of The Dispossessed being “An Ambiguous Utopia” ambiguity itself purposely lies in the names and gender roles of Anarres.  It would not have made much difference had LeGuin wished to drop gender related pronouns from the vocabulary of the Anarresti.

Williams also takes note of the way Le Guin contrasts the women of Anarres with the women of Urras.  “The contrast both emphasizes the strength, freedom, and social value of the free woman, and also connects the novel to the contemporary reader…”

Lastly, the strong women in Le Guin’s novel are forced to make the choices and sacrifices associated with their freedom.  According to Williams, “The feminist position of The Dispossessed is manifest in female characters free to live lives of positive accomplishment… but it is also shown in those women who have used their freedom to choose painful limitations that are generally associated with men in our society.”  She’s referring to Shevek’s mother, who seems to have Dispossessed herself of the role of motherhood, and only later in life wishes to play any part in her son’s life.

The form of feminism shown in Le Guin’s utopia should speak to our society.  Women are still struggling to be considered equals, even in such simple ways as obtaining equal pay.  Though Anarres may not be perfect, its views on equality are extremely attainable.  By acknowledging our differences yet giving little importance to them, we can all live happy and productive lives.

Utopian Love Songs

As we celebrate Valentines Day, love is in the air, with red roses, chocolates, and candlelit dinners being shared between lovers new and old alike.  This yearly reminder of the joys (and for some, sorrows) of romantic love is embedded in our culture, expressed overwhelmingly in jewelry advertisements, magazines, and at least one mediocre film featuring an “all-star” ensemble cast.  But if romantic love is such an inherent part of the human condition, as many would have you believe, then surely it would be an essential component of Utopia.

Yet when thumbing through the utopias and dystopias we’ve thus far explored, romantic love has often been ignored or overlooked, in favor of sexual freedom or ritualistic reproduction.  In Brave New World, “everyone belongs to everyone”, and spending more than two consecutive nights with a person was an obscenity.  In the Republic, Plato suggests a marriage festival, in which couples are drugged and manipulated into a short-term relationship as a means of breeding the best in the guardian class, contradicting the very idea of “true love”.  Crake’s utopia is the same, with sex becoming a means to reproduce in limited instances.

These utopias approach the world in a rational sense, leaving out emotion and values.  Love can often times be a hindrance to the goals of a society, creating conflicts through jealousy and over-protection.  Plato suggests the divisiveness of love as a main reason for communal child rearing, and let us not forget that the Trojan War was fought over the love of Helen of Troy, according to Homer.  But are we so cynical that we can’t find a role for romantic love in a perfect society?  Is there any example of a utopia in which romance and monogamous love play an intrinsic part?  I believe the answer to these questions lies in a medium readily available to all of us: popular music.

The exercise of Utopian dreaming is a prevalent theme in pop music, with John Lennon’s “Imagine” being the greatest example.  In the song, he imagines a world without religion, nationalities, or possessions; all of which he believes are responsible for the ills of the world.  An example of bodily utopia, albeit satirical, is Randy Newman’s “Sail Away”, in which an American slave owner describes a new world without the dangers of lions, tigers or snakes and plenty of food, wine and singing, as a means of coaxing an African into slavery.  Other examples of utopia include U2’s “Where the Streets Have No Name” or Nas’ “If I Ruled The World”.

And just as romance is a central theme in pop songs, many of these songs imagine a utopia where romantic love is the driving force.  In “Thunder Road” by Bruce Springsteen, the singer beckons his lover to leave their loser town with him for somewhere better, though we’re not sure what it is.  The Beach Boys scored a late hit in the 1980s with a song about a romantic getaway on a fictional island “off the Florida Keys”.  David Bowie and Talking Heads also have songs describing a place and time for their love to exist separate from the rest of the world (“Heroes” and “Naïve Melody”, respectively).

But my favorite utopian love song lies in another Beach Boys hit, from the album Pet Sounds, called “Wouldn’t It Be Nice”.  In it, the narrator yearns for a place where their love can flourish beyond what society believes is appropriate for their age.  They dream of a world where simply being married and spending all of their time together is the only thing that matters.  Within the song is the admission that this kind of world is unrealistic, but “wouldn’t it be nice”?

What are some of your favorite utopian love songs, and why?

Spotify Users, I created a collaborative playlist of Utopian Love Songs and other music that relates to Utopia.  Feel free to add your favorites:

Utopian Love Songs