Race in Poetry: A Creative Imitation and Experiment of Racial Bias

 

 

I Am a White Woman

 

I am a white woman

the sound of my speech

some distant crescendo of laughs

is written in a minor key

and I

can be heard laughing in the light

Can be heard

                            laughing

in the light

 

I saw my child leap screaming to the sea

and I / with these hands / cupped the lifebreath

from my issue in the foam break

I lost Nat’s swimming body in a rain of spray

and heard him scream all the way from the shores

for freedom he does not know… I

learned Kitty Genovese and Malala

in anguish

Now my nostrils know the gunpowder

and these straight tight fingers

seek the curves in my whore’s braid

I

am a white woman

tall as sea

bottomless

beyond all definition still

defining place

and time

and circumstance

    assuaged

        immense

irresistable

Look

  on me and be

depraved.

 

I Am a Black Woman

 

I am a black woman

the sound of my speech

some distant crescendo of laughs

is written in a minor key

and I

can be heard laughing in the light

Can be heard

                            laughing

in the light

 

I saw my child leap screaming to the sea

and I / with these hands / cupped the lifebreath

from my issue in the foam break

I lost Nat’s swimming body in a rain of spray

and heard him scream all the way from the shores

for freedom he does not know… I

learned Kitty Genovese and Malala

in anguish

Now my nostrils know the gunpowder

and these straight tight fingers

seek the curves in my whore’s braid

I

am a black woman

tall as sea

bottomless

beyond all definition still

defining place

and time

and circumstance

    assuaged

        immense

irresistable

Look

  on me and be

depraved.

 

This poem is written as an imitation and a kind of response to Mari Evan’s “I Am a Black Woman.” She explains that the writing of poetry (for her) is where she reaches “for what will nod black heads over common denominators” (42). She wants to present women as what they are, to provide the reality of her experience, of her identity. She identifies herself as “Afrikan first, then woman, then writer” (43). For this poem, I wanted to keep her form and most of her language, and only change a few words around to vary the meaning. I wrote two poems, because I’m going to ask you how the speaker’s race factors into how you read and interpret the poem. What’s different between the white and black speakers? How does their race change the poem even though all of the rest of the poem is exactly the same? I’m extremely interested in your interpretations here and to see if you experience a difference in tone or meaning or if you don’t experience one at all.

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One Response to Race in Poetry: A Creative Imitation and Experiment of Racial Bias

  1. bruce birdman March 1, 2017 at 10:55 am #

    Your poem gets at the heart of something that we have been looking at closely in my African American literature class. There are similar if not the same experiences for women of ALL colors and creeds, but there is also the specific experiences of women that result from their ethnicity.

    Either black or white, the woman in each of your poems calls on her fundamental experience as a woman. And black or white, each woman has a common ancestry as a woman that is also different from the other because of their “race,” although that is not necessarily displayed in full here in your poems in anything other than the titles. But perhaps that’s symbolic, that everything about the experiences of these women is the same except for a minute difference, but that difference, although subtle in the grand scheme of things, defines for a large part who they are.

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