Art & Science/Art & Mathematics

Ascott, Roy. Technoetic Arts. http://www.intellectbooks.com/journals/technoetic/index.htm
Ascott, Roy (ed) Art, Technology, Consciousness: Mind @ Large. Portland: Intellect Books, 2000.
Ascott, Roy. Engineering Nature: art & Consciousness in the post-biological era. Bristol: Intellect, 2006
Barron, Stéphan. Toucher l’espace, poétique de l’Art Planétaire, Ed. L’Harmattan, novembre 2006
Benthall, Jonathan, Science and technology in art today. New York: Praeger,1972
Bijvoet, Marga, Art as inquiry : toward new collaborations between art, science, and technology. New York: Peter Lang, 1997.
Bronowski, Jacob. The Visionary Eye : Essays in the Arts, Literature and Science. Cambridge: MIT Press, 1978
Bronowski, J acob. Ascent of Man. Boston: Little, Brown,1974
Burke, James. Connection. Boston: Little Brown, c1978
Caglioti, G. Dynamics of Ambiguity. New York: Springer-Verlag, 1992
Cassidy, Harold Gomes,The sciences and the arts; a new alliance. New York: Harper, 1962
Clarke, Bruce   and Linda Dalrymple Henderson (eds.). From Energy to Information: Representation in Science and Technology, Art, and Literature Stanford: Stanford University Press, 2002
Curtin, D.W. (ed.) The Aesthetic Dimesnion of Science New York: Philsophical Library, 1982
Davis, J. HYBRID CULTURE: Mix-Art. Kendall/Hunt Publishing Co., 2006
Ede, Sian. Art and Science, I B Tauris & Co Ltd. London, 2005
Emmer, Michele. Visual Mind: Art and Mathematics. Cambridge : MIT Press, 1993
Emmer, Michele. Visual Mind II. Cambridge : MIT Press, 2005
Field, J.V. Science in Art: Works in the National Gallery that Illustrate the History of Science and Technology. Stanford in the Vale: British Society for the History of Science, 1997
Frankel, Felice. Envisioning Science: The Design and Craft of the Science Image. Cambridge: MIT Press, 2002
Gould,Stephen Jay and Rosamond Purcell. Crossing Over: Where Art and Science Meet. New York: Three Rivers Press, 2000
Graubard, S. Art & Science. New York: Daedalus, 1988.
Gyr, A. , P.D. Koumoutsakos and U. Burr. Proceedings of the Science and Art Symposium   Kluwer Academic Publishers, 2000.
Hartal, Paul, The Brush And The Compass : The Interface Dynamics of Art and Science. Lanham: University Press of America,1988.
Hauser, Jens. SK-INTERFACES: Exploding Borders in Art, Science and Technology. ISBN: 9781846311499 , 2008
Herdeg, Walter, The Artist In The Service Of Science. .Z??rich:he Graphis Press, 1973
Henderson, Linda Dayrymple. The Fourth Dimension and Non-Euclidean Geometries in Modern Art, Princeton: Princeton U. Press, 1993
Henderson, Linda and Bruce Clarke (eds.) From Energy to Information: Representation in Science and Technology, Art, and Literature.   Stanford: Stanford University Press, 2002.
Hoffmann, Roald and Vivian Torrence. Chemistry Imagined. (Smithsonian Institution Press).
Ihde, Don and Evan Selinger (eds). Chasing Technoscience 2003
Ihde, Don. Expanding Hermeneutics: Visualism in Science. 1998
Ivens, W. Art and Geometry. Cambridge: Cambridge U. Press, 1986
Jacob, Opper. Science and the Arts; A Study in Relationships from 1600-1900. Rutherford [N.J.] Fairleigh Dickinson University Press [1973]
Johnson, Martin, Art and Scientific Thought; Historical Studies Towards a Modern Revision of Their Antagonism. New York: AMS Press, 1970
Kemp, Martin. Visualizations: The Nature Book of Art and Sceince, UC Press, 2001
Kepes, Gyorgy. Structure in Art and in Science. New York:G. Braziller,1965
Kepes, Gyorgy. New Landscape in Art & Science. Chicago, P. Theobald. 1956
Krawczyk, Robert. The Art of Spirolaterals.
Rob la Frenais & Nicola Triscott (ed). THE ZERO GRAVITY HANDBOOK?: A Cultural User’s Guide. London,   Cornerhouse Publications – http://www.cornerhouse.org
Leyton, Michael A Generative Theory of Shape. Springer-Verlag
Maeda.,John. Design by Numbers. Cambridge, MA:MIT Press, 1999
Meyers, A. Art and science in America: Issues of Representation
McConnell, R.B. Art, Science, and Human Progress. New York: Universe Books, 1987
Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York : Springer Vertag,1996
Miller, A. Einstein Picasso: Space, Time, and the Beauty that Causes Havoc 2002
Pollock, Martin (ed,) Common Denominators in Art and Science. Aberdeen: Aberdeen University Press, 1983
Robbin, Tony. Shadows of Reality: The Fourth Dimension in Relativity, Cubism, and Modern Thought. New Haven: Yale University Press, 2006
Eileen Reeves. Painting the Heavens: Art and Science in the Age of Galileo. Princeton: Princeton Univ. Press,1997
Richardson, John. Modern Art and Scientific Thought. Urbana, University of Illinois Press, 1971
Rothstein, Edward. Emblems of Mind: The Inner Life of Music and Mathematics. New York: Times Books, 1995
Rhodes, L. Science Within Art. Bloomington: Indiana University Press, 1980
Rhys, Henry (ed). 17th Century Science and the Arts. Princeton: Princeton U PRess, 1961
Richardson, John Adkins, Modern Art and Scientific Thought. Urbana: University of Illinois Press,1971
Rieser, Dolf, Art and Science. New York: Van Nostrand Reinhold, 1972
Robbin, Tony. Shadows of Reality: The Fourth Dimension in Relativity, Cubism and Modern Thought. Yale University Press, New Haven, 2006
Ross, Alan Strode Campbell(ed) Arts vs. Science: a Collection Of Essays. London, Methuen, 1967
Schlain, Leonard. Art and Physics. New York: Morrow, 1991
Shanken, Edward A..   Telematic Embrace: Visionary Theories of Art Technology and Consciousness. UC Press, 2003
Shirley, John W. F. and David Hoeniger. Science and the Arts in the Renaissance. London : Associated University Presses, 1985
Sakane, I.   Kakuchou Sareta Jigen: Geijutsu to Kagaku no Soukoku wo Koete (The Expanded Dimension: Beyond the Conflicts of Art and Science).   NTT Publishing, Tokyo, Japan, 2003 (Japanese)
Scientific American. Special Issue on Science & Art
Scott, Jill (ed). Artists in the Lab. SpringerWienNewYork, Wien, Austria, 2006.
Simonton, Keith. Origins of Genius: Darwinian Perspectives on Creativity.
Siukone, Jyrki. Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of Flight, 1900–1935. Suomalaisen Kirjallisuuden Seura, Helsinki, Finland, 2001
Smith, Cyril Stanley. From Art to Science: Seventy-Two Objects Illustrating the Nature of Discovery. Cambridge: MIT Press, 1980
Smith, Cyril Stanley. A Search for Structure : Selected Essays on Science, Art, and History. Cambridge: MIT Press, 1983
Snow, C.P. The Two Cultures and the Scientific Revolution Cambridge: Cambridge University Press, 1959
Strosberg, Elaine. Art and Science. Abbeville Press,2001
Tauber, Alfred. The Elusive Synthesis : Aesthetics and Science. Boston : Kluwer, 1996
Triscott, Nicola and Rob la Frenais. ZERO GRAVITY : A Cultural User’s Guide. Arts Catalyst, London
Vitz, Paul C.,1984. Modern Art And Modern Science : The Parallel Analysis Of Vision. New York: Praeger, 1984.
Waddington, Conrad Hal., 1970. Behind Appearance; a Study Of The Relations Between Painting And The Natural Sciences In This Century. Cambridge:, MIT Press 1970
Wagner, Cahterine. Art and Science: Investigating Matter. St. Louis: Nazereli Press , 1996
Washburn, Dorothy and Donald Crow. Symmetries of Culture. Seattle : University of Washington Press, 1988
Wellcome Trust. Talking Back to Science: Art, science and the personal . London, 2004 (link)
Wellcome Trust. Experiment: conversations in art and science. London, 2005 (link)
Weschler, Judith (ed.). On Aesthetics in Science. Cambridge: MIT Press, 1979
Wilson, Stephen. Great Moments in Art and Science (forthcoming)
Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge:, MIT Press 2001

Yusoff,Kathryn . ed. London: BiPolar Arts Catalyst, 2008
Zee, Anthony. Fearful Symetry. The Search for Beauty in Modern Physics. New York: MacMillan, 1986.
Zelevansky, Lynn Ed., BEYOND GEOMETRY: EXPERIMENTS IN FORM, 1940s-1970s.The MIT Press, Cambridge, MA, 2004

Art & Technology/Art & Computers
ACM, Special Interest Group on Computer Graphics (SIGGRAPH). Visual Proceedings (Including Art Show Catalogs), 1980 – 1999
Alexenberg, Mel. future of art in a digital age: from hellenistic to hebraic consciousnes. Intellect Books, 2006
Arnould, Jacques. La seconde chance d’Icare. Pour une Èthique de l’Espace, Les Editions du Cerf, Paris, 2001
Ars Electronica. Cyberarts: (Catalogs of Symposium and Prix Awards). 1990-1999
Arts Council- England. Pioneers in Art and Science Series (dvd)
Ascott, R. and Carl Loeffler. ??Connectivity??. Special Telecommunications Issue of Leonardo, Leonardo, 24(2), 1991
Benkler, Yochai. The Wealth of Networks: How Social Production Transforms Markets and Freedom.
Bakke, Monika (ed). Going aerial – Air, art, architecture – http://bookshop.janvaneyck.nl
M. Balaban, K. Ebcioglu, and O. Laske (eds.) Music with AI: Perspectives on Music Cognition Cambridge: MIT Press,1992
Barney, Darin. The Network Society (Key Concepts).
Bentkowska-kafel, trish cashen & hael gariner (ed). digital art history Intellect books 2005
Bentkowska-kafel, trish cashen & hael gariner (ed). Digital Visual Culture: Theory and Practice
Beardon , Colin and Lone Malmborg, eds Digital Creativity: Innovations in Art and Design. Swets & Zeitlinger,Lisse, The Netherlands, 2002
Berger, Ren?? and Lloyd Eby (eds.) Art and Technology. New Yor : Paragon House Publishers,1986
BOOTZ, Philippe . LES BASIQUES : LA LITTERATURE NUMERIQUE, (The Basics : Digital Literature)
Bredekamp, Horst, The Lure Of Antiquity And The Cult Of The Machine. Princeton: Markus Wiener Publishers, 1995
Brouwer, Joke , Arjen Mulder, Anne Nigten (eds.) – aRt&D: Research and Development in Art. Rotterdam: V2, 2005
Brown, Paul, Charlie Gere, Nicholas Lambert and, Catherine Mason (eds). White Heat, Cold Logic Cambridge: MIT Press,xxx
BUREAUD, Annick & Nathalie MAGNAN. CONNEXIONS : art – rÈseaux – media
Burnham, Jack. Beyond Modern Sculpture. New York: G. Braziller, 1968
Burnett, Robert and P. David Marshall. Web Theory. Routledge: New York, 2003
Chandler, Annmarie & Norie Neumark. At a Distance‚Preecursors to Art and Activism on the Internet. MIT Press, Cambridge, MA, 2005
Couchot, Edmond/ Des images, du temps et des machine dans l’art et la communication, Paris, Ed. Jacqueline Chambon-Actes Sud, 2007 link
Cohen, Harold (written with Pamela McCorduck) . Aaron’s Code: Meta-Art, Artificial Intelligence, and the Work of Harold Cohen.
Cope, David. Computers and Musical Style. Madison: A-R Editions, 1991
Cope, David. Experiments in Musical Intelligence. Madison: A-R Editions, 1996
Davis, Douglas. Art And The Future; a History/Prophecy Of The Collaboration Between Science, Technology, And Art. New York: Praeger, 1973
Davis, Jim. HYBRID CULTURE: Mix-Art. Kendall/Hunt Publishing Co., 2007
Daejeon Museum of Art. 2005 Daejeon Fast: Future of Art, Science and Technology. Daejeon, Republic of Korea, 2005.
Deken, Joseph. Computer Images : State Of The Art. New York : Stewart, Tabori & Chang Publishers, 1983
Edmonds, Ernest and Linda Candy. Explorations in Art and Technology. Springer, 2002
Edwards, David. Artscience: Creativity in the Post-Google Generation. Cambridge: Harvard University Press,, 2008
Fishwick, Paul. Aesthetic Computing. Cambridge:, MIT Press 2005
Francastel,Pierre (translated by Randall Cherry). Art and Technology in the Nineteenth and Twentieth Centuries. Cambridge: MIT Press, 1999
Franke, Herbert W. Computer Graphics – Computer Art. Berlin: Springer-Verlag, 1984
Fry, Ben and Casey Reas. Processing. MIT Press, Cambridge, Massachusetts, USA, 2007.
Fischnaller, Franz. E.book. Editori Riuniti info
Frieling, Rudolf & Dieter Daniels. Media Art Interaction: The 1980s and 1990s in Germany.
Frankel, Feliceand George Whitesides. On The Surface of Things. New York: Chronicle Books, 1997
Gere, Charlie. Art, Time, and Technology. Oxford: Berg, 2006
Gilmore, Lee. Afterburn (Burning Man) . U New Mexico Press, 2005
Goodman, Cynthia. Digital Vision. New York: Abrams Publishers, 1987
Hogan,Patrick Colm. Cognitive Science, Literature and the Arts.
Hara, Kenya. Designing Design. Lars Mller: Baden, Switzerland, 200
Harris, Craig. Art & Innovation. (Xerox PARC Artist in Residence program) Cambridge: MIT Press, 1999
Hiltzik, Michael. Dealers of Lightning (Xerox Parc). Harper Business
Hocks, mary and Michelle Kendrick.. eloquesnt images:word and imag in age of new media. MIT Press, 2005
Hopkins, Bart (ed.) Gravikords, Whirlies and Pyrophones: Experimental Musical Instruments. San Francisco: Ellipsis Arts, 1996
Ippolito, Jon and Joline Blais: At the Edge of Art, thames & hudson , 2006
Jacobson,Linda ed., Cyberarts: Exploring Art & Technology. San Francisco: Miller Freeman, 1992
Jana, Reena and Mark Tribe.New Media Art . Taschen, 2006
Jennings, Pamela. Speculative Data and the Creative Imaginary: Shared Visions between art and technology. Catalog show at National Academy of Science, 2007
joyce,michael. othermindedness: the emergence of network culture. u of mich press, 2001
Kacunko, Slavko. Closed Circuit Videoinstallationen. Verlag, 2005
Kluver, Billy, J. Martin, B. Rose (eds), Pavilion:Experiments in Art and Technology. New York: E. P. Dutton, 1972
Kranz, Stewart. Science and Technology in the Arts: A Tour Through the Realm of Science/Art. New York: Van Nostrand Reinhold Co., 1974.
Kriesche, Richard. Teleskulptur. Graz, Austria: Kulturdata, 1993
Krueger, Myron, Artificial Reality II. Reading, Mass. : Addison-Wesley, 1991
Latham,William and Stephen Todd. Evolutionary Art and Computers. New York: Academic Press: 1992
Laurel, B. 1991. Computers as Theatre. Reading, Mass.: Addison-Wesley Pub., c1991
Leavitt, Ruth, 1976. Artist and Computer. New York : Harmony Books, 1976 online text
Lee, Jiho. 2005 Daejeon FAST: Future of Art, Science and Technology
Lefèvre, Wolfgang. Picturing Machines: 1400-1700. MIT Press, 2004
Leopoldseder,Hannes and Christine Schopf. CyberArts 2001. Springer, Vienna, Austria, and New York, NY, 2001 (Documentation of Ars Electronica Prix competitions, other years also avaialable)
Lievrouw, Leah A and Sonia Livingstone, The Handbook of New Media
Loveless, Richard. The Computer Revolution and the Arts. Tampa : University of South Florida Press, 1989
Machado, Penousal , Juan Romero (eds) Evolutionary Art and Music. Springer (in progress)
Maeda, John. Design by Numbers. Cambridge, Mass: MIT Press, 1999
Maeda, John. Creative Code, London: Thames & Hudson, 2004.
Malina, Frank J. (ed.) Kinetic Art. New York: Dover Publications, 1974
Malina, Frank J.(ed.) Visual Art, Mathematics And Computers Oxford ; New York : Pergamon Press, 1979
Malloy, Judy (ed.) Women, Art, and Technology. Cambridge, MA: MIT Press, 2003
Mason, Catherine. A Computer in the Art Room: The Origins of British Computer Arts: 1950-80. Norfolk: JJG Publishing, 2008
Mealing, Stuart , Ed. computers and art.. Intellect, 2005
Meigh-Andrews, Chris. History of Video Art. Berg. Oxford,2006
Morris,Adelaide and Thomas Swiss. New Media Poetics. Cambridge: MIT Press, 2006
Moles, Abraham. Art and Technology. Urbana, University of Illinois Press, 1966
Mulder, Arjen and Maaike. Book for the Electronic Arts. V2. Rotterdam, 2001
Orvell, Miles, After The Machine : Visual Arts And The Erasing Of Cultural Boundaries. Jackson : University Press of Mississippi, 1995
Randall Packer and Ken Jordan(eds). Multimedia: From Wagner to Virtual Reality. WWNorton,2001
Parikka, Jussi , Digital Contagions: A Media Archaeology of Computer Viruses. Peter Lang Books, 2007
Paul, Christiane. Digital Art. Thames & Hudson. 2003
Pickover, Clifford. Computers and the Imagination : Visual Adventures Beyond The Edge. New York: St. Martin’s Press, 1991
Pickover, Clifford A. Visions of the Future : Art, Technology, And Computing Inthe Twenty-first Century. New York : St. Martin’s Press, 1992
Poissant Louise, Esth??tique des Arts M??diatiques. Presses de l’Universit?? du Qu??bec, Montreal: Collection Esth??tique, 1995
Popper, F. 1976. Art, Action and Participation. New York : New York University Press, 1975
Popper, F. 1981. Electra. Paris: Musee d??Art Moderne de la Ville de Paris, 1983
Popper, Frank. Art of the Electronic Age. New York: Harry N. Abrams, Inc., 1993.
Popper, Frank. 2005. From Technological to Virtual Art.
Reas,Casey and Ben Fry. Programming Media: A pragmatic foundation in writing software for the arts. MIT Press, 2007
Reichardt, Jasia, The Computer in Art. New York: Van Nostrand Reinhold 1971
Reichardt, Jasia, Cybernetic Serendiptiy. New York: Praeger 1969
Rosenberg, M. J. The Cybernetics Of Art : Reason And The Rainbow. New York : Gordon and Breach Science, 1983
Rosenboom, David, 1976. Biofeedback And The Arts, Results Of Early Experiments. Cambridge: MIT Press – Leonardo Monographs, 1976
Scholder, Amy (Editor), with Jordan Crandall. Artistic Practice in the Network.
Schwartz, Lillian, The Computer Artist’s Handbook : Concepts,
Techniques, And Applications. New York: Norton,1992
Scott, Jill. Artists in Labs: Processes of Inquiry. SpringerWienNewYork, Wien, Austria, 2006
Seltz, Peter and Krisine Stiles. Theories and Documents of Contemporary Art. U of California Press.
Shanken, Edward. Roy Ascott Writings. U of California Press, Berkeley, 1999
Sherman, Tom. Before and After the I-Bomb. Bamff, 2002
Sommerer, Christa & Laurent Mignonneeau (eds.) ARt @ Science. New York: Springe:, 1998
Spalter,Anne Morgan. The Computer in the Visual Arts. Reading: Addison Wesley, 1999
Spiller, Neil ed. Cyber-Reader: Critical Writings for the Digital Era. Phaidon
Gerfried Stocker and Christine Schopf (eds.) Ars Electronica 98: Infowar.
Traub, Charles H.,Jonathan Lipkin. Realm of the Circuit. http://www.intherealmofthecircuit.com/
Triscott,Nicola & Rob la Frenais (ed). THE ZERO GRAVITY HANDBOOK: A Cultural User’s Guide. Conerhouse publications,2005.
Tromble, Meredith (ed) The Art and Films of Lynn Hershman Leeson: Secret Agetns, Private I. University of California Press, Berkley, 2006..
Tuchman, Maurice. Art and Technology, New York: Viking, 1971.
V2. Making Art of Databases. V2_ and NAi Publishers. http://www.v2.nl/2003
Vesna, Victoria ed.. Database Aesthetics: Art in the Age of Information Overflow. Minneapolis: University of Minnesota Press, 2007
van Proyen, Mark. afterburn: reflections on burning man. U New Mexico Press, 2005
Walker, James Faure . Painting the Digital River: How an Artist Learned to Love the Computer. Prentice Hall, 2006
Wands, Bruce. Art in the Digital Age. Thames & Hudson
Wilson, Stephen. Using Computers To Create Art. Englewood Cliffs: Prentice Hall. 1986.
Wilson, Stephen, Multimedia Design. Englewood Cliffs: Prentice Hall. 1991
Wardrip-Fruin, Noah and Nick Montfort, eds. The New Media Reader. MIT Press, Cambridge, MA, 2003
Wechsler, Robert. Motion Tracking — a practical guide for performing artists. in production – details

Net Art, Networks, Web, GPS
Brown, Paul. Networks and Artworksthe Failure of the User Friendly Interface. http://www.paul-brown.com/WORDS/NETART.HTM
Conley, Tom. Cartographic Cinema. University of Minnesota Press, Minneapolis, 2007
Curry, Michael. Digital Places. Routledge, 1998
Fourmentraux, Jean-Paul. New forms of creation: art et Internet, CNRS Communication, 2005
Frieling,Rudolf and Dieter Daniels. Medien Kunst Netz/ Media Art Net/ 2 (in English and German). Springer Wien, NewYork, USA, 2006
Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology on the Internet. Cambridge: MIT Press,2000
Greene, Rachel. History of the Internet. Thames & Hudson
Greene, Rachel. Internet Art. London: Thames & Hudson, 2004.
Johnson, Steven. Interface Culture: How New Technology Transforms the Way We Create and Communicate. San Francisco: HarperCollins.
Himanen,Pekka . the hacker ethic
Joyce, Michael. Othermindedness: the Emergence of Network Culture.
Kac, Eduardo. Telepresence & Bio Art: Networking Humans, Rabbits and Robots. The University of Michigan Press, Ann Arbor, Michigan 2005
Saper, Craig J. Networked Art .University of Minnesota Press, Minneapolis, MN, U.S.A.,, 2001
Sondheim,Alan ed. Being On Line: Net Subjectivity
Standage, Tom . The Victorian Internet : the remarkable story of the telegraph and the nineteenth century’s on-line pioneers/
Peter Weibel and Timothy Druckrey (eds). net_condition: art and global media. Cambridge: MIT Press, 2000.
Wellman, Barry. Physical Place and Cyberplace: The Rise of Personalized Networking. 2000
White, Michele. The Body and the Screen: Theories of Internet Dictatorship. MIT Press, Massachusetts, USA, 2006
Wilson, Stephen, World Wide Web Design Guide. Indianapolis: Hayden, 1995

Digital Performance

Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge: MIT Press, 2007
Kozel, Susan. Closer: Performance, Technologies, Phenomenology. Cambridge: MIT Press, 2008
Wardrip-Fruin,Noah and Pat Harrigan, Editors. First Person: New Media as Story, Performance and Game

Philosophical & Social Critiques of Science

Aronowitz, S et al. (eds.) Technoscience and Cyberculture. London: Routledge, 1995
Babich, Babette. Continental and Postmodern Perspectives on Philosophy of Science. London: Avebury, 1995
Barnes, B., Bloor, D., & Henry, J. . Scientific knowledge: a sociological analysis. London: The Athalone Press, 1996
Bleier, Ruth, Feminist Approaches To Science. New York: Pergamon,1988
Bloor, D. Knowledge and Social Imagery. Chicago: University of Chicago Press, 2nd ed., 1991.
Durbin, Paul T.ed, , A Guide to the Culture of Science, Technology, and Medicine. New York: The Free Press, 1977
Feyerabend, Paul . K. Against Method. London: New Left Books, 1975
Foucault, Michele. Archaeology of Knowlege. London : Tavistock:, 1972
Fuller, Steve. , Philosophy of Science and Its Discontents. Conduct of Science Series. Madison: U. of Wisconsin Press,, 1993
Galgan, Gerald J. .The Logic of Modernity. New York:New York University
Press,1982.
Galison, P & David J. Stump. Disunity of Science. Stanford, Calif. : Stanford University Press, 1996
Galison, P. and Jones, C. Editors, Picturing Science, Producing Art. London: Routledge, 1988
Galison, Peter and Emily Thompson, eds.The Architecture of Science. Cambridge: MIT Press,. 1999.
Galison, Peter. Image and Logic: A Material Culture of Microphysics. University of Chicago Press, 1997
Gleick, James. Chaos. New York, N.Y., U.S.A. : Viking, 1987
Griffin, D. Reenchantment of Science. Buffalo: State U of NY Press, 1988
Gross, Paul R. Norman Levitt, and Martin W. Wise (eds.) The Flight from Science and Reason. Baltimore: The Johns Hopkins University Press, 1988
Harding, Sandra. Whose Science? Whose Knowledge? Ithaca: Cornell U Press, 199
Haraway, Donna Primate Visions: Gender, Race and Nature in the World of Modern Science. London: Routledge, 1989
Hull, David. Science as a Process: An Evolutionary Account of the Social and Conceptual Development of Science. Chicago: University of Chicago Press, 1990.
Ione, Amy. Nature exposed to our method of questioning. Diatrope Press, Berekley, ca 2003
Keller, Evelyn Fox, Reflections on Gender and Science. New Haven: Yale U. Press: 1985
Kuhn, Thomas. The Structure of Scientific Revolutions. Chicago: U of Chicago Press, 1970
Lakatos, I. and A. Musgrave (eds) Criticism and the Growth of Knowledge. Cambridge: Cambridge University Press, 1970
Latour , Bruno. Science in Action. Cambridge: Harvard University Press, 1987
Latour, B. and S. Woolgar Laboratory Life: The Construction of Scientific Facts Princeton: Princeton University Press, 2nd ed., 1986.
Bruno Latour and Peter Weibel. Iconoclash: Beyond the image wars in science, religion, and art.
Laudan, Larry. Progress and Its Problems: Towards a Theory of Scientific Growth. Berkeley:University of California Press, 1977
Lederer, Susan E. Frankenstein: Penetrating the Secrets of Nature. Rutgers Univ. Press, New Brunswick, NJ,, 2002
Lenoir, T Instituting Science. The Cultural Production of Scientific Disciplines. Stanford: Stanford U. Press, 1997
Lyotard, Jean-Francois. Postmodern Condition. Manchester: U of Manchester Press, 1984
Hoyningen-Huene, Paul 1993. Reconstructing Scientific Revolutions: Thomas S. Kuhn’s Philosophy of Science. Chicago : University of Chicago Press, 1993
Margolis, Howard. Paradigms & Barriers : How Habits Of Mind Govern Scientific Beliefs. Chicago : University of Chicago Press, 1993.
Penley, Constance. NASA/Trek: Popular Science and Sex in America. London: Verso, 1998
Regis, Ed. Great Mambo Chicken and the Transhuman Condition: Science Slightly Over the Edge.
Rouse, Joseph. Engaging Science: Science Studies after Realism, Rationality, and Social Constructivism. Ithaca: Cornell University Press, 1996
Pickering, Andrw (ed). Science as Practice and Culture. Chicago: U of Chicago Press, 1992
Sheldrake, Rupert. seven experiments thact could change the world.
Toulmin, S. Return to Cosmology. Berkeley: U of California Press, 1985
Turkle,Sherry (ed.). Falling for Science. Objects in Mind. Cambridge: MIT Press, 2008
Obrist,Hans Ulrich and Baraabara Vanderlinden. Laboratorium. DAP/Distributed Art Publishers, new York
Woolgar, S. .Science: The Very Idea. London Tavistock, 1988.

Biology, Nature, Genetics, Alife, Genetic Art & The Body
Ackerman, Dianne. Natural History of the Senses. New York : Random House,1990
Ascott, Roy (ed.) Engineering Nature: Art & Consciousness in the Post-Biological Era. Intellect Books, 2005
Balsamo. A. Technologies of the Gendered Body. Durham: Duke, 1996
Becker, Robert O. and Andrew Marino , Cross Currents. Los Angele: Jeremy Tarcher, Inc., 1990
Becker, Robert O. and Gary Selden. Body Electric. New York : Morrow, 1985
Birke, Lynda and Ruth Hubbard. Reinventing Biology. Bloomington Indiana U. Press, 1995
Brauer,Fae and Anthea Callen (eds.) Art, Sex and Eugenics Ashgate, Aldershot, Burlington, UK, USA, 2008.
Bruno Bossis. La Voix et la Machine: La Vocalite Artificielle dans la Musique
Contemporaine. Presses Universitaires de Rennes. Rennes, France, 2005
Brown, Richard. Biotica:Art Emergence and Artificial Life. Art Books International, 2000
Bulatov, Dmitry. biomediale: contemporary society and genomic culture. 2005 http://ncca-kaliningrad.ru/biomediale/
Butler, Judith. Bodies that Matter: On the Discursive Limits of “Sex.” New York: Routledge. 1993.
Cartwright, L. Screening The Body: Tracing Medicine’s Visual Culture.
Carnegie Mellon. Mapping the Terrain:Environmental Thinking and Art Practice. link
Cassirer, D. The Individual and the Cosmos in Renaissance Philosophy. (University of Pennsylvania Press, 1972
Crary, Jonathan and Sanford Kwinter, Incorporations. London:Verso, 1992
da Costa,Beatriz; Kavita Philip. Tactical Biopolitics:Art, Activism, and Technoscience. Cambridge: mit press, 2008
Danto, Arthur. The Body/Body Problem: Selected Essays. Univ. of California Press, Berkeley, CA, 2002
Deitch, Jeffrey. Post Human. New York: DAP, 1992
Dion, Mark and Alexis Rockman. Concrete Jungle. New York: Re/Search – Juno Books, 1996
Dijck, Jose Van. The Transparent Body: A cultural Analysis of Medical Imaging. Seattle: U of Washington Press, 2005
Dollens, Dennis. D-B . A: Digital-Botanic Architecture.
dourish, paul. where the action is: foundations of embodied interaction. mit press, 2003
Timothy Druckrey (ed). Ars Electronica: Facing the Future.
Elder, Klaus. Social Construction of Nature. London: Sage, 1996)
Ron English, Jennifer L. Croissant, Giovanna Di Chiro, Rayvon Fouche, eds. Appropriating Technology, Vernacular Science and Social Power. University of Minnesota Press, Minneapolis, 2005
Evernden, Neil. Social Creation of Nature. (Johns Hopkins Press: Baltimore, 1992
Fabrega, Horaciao. Evolution of Sickness and Healing.Berkeley : U of California Press:, 1997
Favazza,Armando. Bodies Under Siege, Self-mutilation and Body Modification in Culture and Psychiatry. Baltimore: John Hopkins University Press, 1996
Flanagan, Mary and Austin Booth, Eds. Re:Skin. Cambridge: MIT Press, 2007
Foucault, Michel History of Sexuality. New York : Pantheon Books, 1978
Foucault, Michel. Birth of the Clinic. New York, Pantheon Books, 1973
Frohoff, Toni and Brenda Peterson, eds.Between Species: Celebrating The Dolphin-Human Bond,
Garnet Eldon. Narative Body. Autonomedia
Gallaher, C. and T. Laqueur. Making of the Modern Body. Berkeley: Univesity of California Press, 1987
Geary, James. The Body Electric: An Anatomy of the New Bionic Senses. Rutgers Univ. Press, New Brunswick, 2002
Gare, Arran. Postmodernism and the Environmental Crisis. New York: Routledge, 1995.
Gilbert, Avery. What the Nose Knows: The Science of Scent in Everyday Life. New York, NY, Crown Publishers, 2008
Goldberg, Peter. THE DESIGN OF INNOVATION: Lessons from and for Competent Genetic Algorithms. Kluver
Grosz, Elizabeth. Unbearable Weight: Feminism, Western Culture and the Body, Sydney: Allen and Unwin, 1994
Haraway Donna J., Modest_Witness@Second_Millennium_FemaleMan_Meets_OncoMouse, Feminism and Technoscience, Routledge, London, 1997
Haraway, D. Simians, Cyborgs, and Women: The Reinvention of Nature. London: Free Association Books, 1991
Haraway, D. When Species Meet. University of Minnesota Press, Minneapolis, 2007
Harrison, John. Synaesthesia: The Strangest Thing. Oxford University Press, 2001
Halfon and P. N. Edwards (Eds.), Changing Life: Genomes, Ecologies, Bodies, Commodities. Minneapolis: University of Minnesota Press, 1993
Hauser, Jens. ed. L’Art Biotech. Catalog. (Le Lieu Unique, Nantes, France, 2003). italian version
Hauser, Jens. ed. SK-INTERFACES. Catalog – show focused on skin Unipress book info
Hayles, N. Katherine. How We Became Posthuman : Virtual Bodies in Cybernetics, Literautre, and Informatics Chicago: U of Chicago Press, 1999
Ihde, Don. Electronic Mediations Series, Vol. 5: Bodies in Technology. University of Minnesota Press, Minneapolis, 2002
Jones, Caroline (ed). Sensorium: Embodied Experience, Technology and Contemporary Art. Cambridge: MIT Press, 2006
Kac, Eduardo. Telepresence and Bio Art: Networking Humans, Rabbits, and Robots. Ann Arbor: U of Michigan Press, 2005
Kac, Eduardo. Signs of Life: Bio Art and Beyond. MIT Press, 2007?
Kac,Eduardo & Avital Ronell.LIFE EXTREME: AN ILLUSTRATED GUIDE TO NEW LIFE. DIS VOIR
Keller, Eveln Fox. Making Sense of Life, Explaining Biological Development with Models, Metaphors and Machines. Harvard University Press, Cambridge MA, 2002
Lippit, Akira Mizuta. Electric Animal. Toward a Rhetoric of Wildlife. Minneapolis: University of Minnesota Press, 2008
Martin Kemp, Marina Wallace (eds.): .Spectacular bodies. The art and science of the human body from Leonardo to now. Berkeley, Los Angeles, London: University of California, 2001
Kevles, D. & L. Hood, Code of Codes. Cambridge: Harvard U Press, 1992.
Kevles, Bettyann Holtzmann & Marilyn Nissenson Picturing DNA
Harold Koda. Metropolitan. Extreme Beauty: The Body Transformed.
Komesaroff, Paul A. (ed.) Troubled Bodies: Critical Perspectives on Postmodernism, Medical Ethics, and the Body. Durham:Duke University Press, 1995
Kimball, Andrw. Human Body Shop. San Francisco : Harper Collins,, 1993
Kress-Rogers, Erika (ed.) Handbook of Biosensors and Electronic Noses. Boca Raton: C.R.C. Press, 1997
Kuppers, Petra. Scar of Visibility. Medical Performances and Contemporary Art. University of Minnesota Press, Minneapolis, 2007
Lacy, Suzanne. Mapping the Terrain. Seattle: Bay Press, 1995
Levy,Ellen K. ed., “Contemporary Art and the Genetic Code,” special issue of Art Journal 55, (Spring 1996) with B. Sichel
Leiss, William. Domination of Nature. New York: Braziler,, 1972
Lupton, Deborah. Medicine as Culture. London:Sage, 1994
McCormack,Jon, Jon Bird, Alan Dorin, Annemarie Jonson. Impossible Nature: Art of Jon Mccormack. Australian Center for the Moving Image, Melbourne, 2004.
Marks, Laura. Touch: Sensuous Theory and Multisensory Media. University of Minnesota Press. Minneapolis, 2002
Marzano,Stefano , Josephine Green, C. Van Heerden, J. Mama. NEW NOMADS, an exploration of Wearable Electronics. Phillips Electronics – http://www.design.philips.com/smartconnections/newnomads/index.html
Merchant, Carolyn ed. Key Concepts in Critical Theory: Ecology. Atlantic Highlands, N.J. : Humanities Press, 1994.
Merchant, Carolyn The Death of Nature: Women, Ecology and Scientific Revolution, New York: Harper, 1980
Mayr, Ernst This is Biology: The Science of the Living World. Cambridge, Mass.: Belknap Press of Harvard University Press, 1997
MItchell, Robert, Hele J. Burgess, and Phillip Thurtle. Biofutures: Owning Body Parts and Informatiton. U of pennsylvania Press DVD-Rom, 2008
Squier, Susan Merrill. Liminal Lives: Imagining the Human at the Frontiers of Bioscience
Naske, Barbara. Humans and Other Animals. London: Pluto, 1989)
Neumann-Held, Eva M. and Christoph Rehmann-Sutter. Genes in Development: Re-reading the Molecular Paradigm.. Duke University Press, Durham,, 2006
O’Bryan,C. Jill. Carnal Art: Orlan. University of Minnesota Press, Minnesota, MN, 2005
Pandilovski, Melentie. Art of the Biotech Era. Experimental Art Foundation, 2008 http://www.eaf.asn.au/biotech/biotech.html
Poissnat, Louise and Ernestine Daubner (eds.) Art Et Biotechnologies. Presses de l’Universite du Quebec. Montreal, 2004
Prigann, Herman. aesthetics of ecology. Birkh, Basel
Richards,Catherine. Excitable Tissues
Romero, Juan and Penousal Machado, Eds. The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music
Schactel, Earnest. Metamorphosis. London: Routledge, 1[963
Sheehan, J. and Mout, Sosan (eds.) The Boundaries of Humanity: Humans, Animals, Machines. Berkeley: U. of California Press,, 1991
Sharpe, Lynne. Creatures Like Us? A Relational Approach to the Moral Status of Animals. Imprint Academic, Exeter, UK, 2005.
Shepard,Paul. The Others: How Animals Made Us Human, Washington, D.C.: Island Press, 1996
Soul??, Michael and Gary Lease, (ed.) Reinventing Nature? Responses to Postmodern Deconstruction. Washington, DC.: Island Press, 1995.
Shaviro, Steven. The Cinematic Body, Minneapolis: University of Minnesota Press, 1993
Smelik, Anneke & Nina Lykke (eds.). Bits of Life. Feminism at the Intersections of Media, Bioscience, and Technology. Seattle: University of Washington Press, 2008
Smith,Marquard (Ed.) Stelarc The Monograph 2007
Smith,Marquard and Joanne Morra (Eds.) The Prosthetic Impulse – From a Posthuman Present to a Biocultural Future 2007
Squier, Susan. Liminal Lives: Imaging the Human at the Frontiers of Bioscience. Durcham, NC,: Duke U Press, 2004
Springer, Claudia. Electronic Eros: Bodies and Desire in the Postindustrial Age, London: Athlone Press, 1996.
Stafford, Barbara. Body Criticism. Cambridge: MIT Press, 1991
Stafford, Barbara. Echo Objects: The Cognitive Works of Images.The University of Chicago Press: Chicago USA, 2007.
Stocker, Gerfried and Christine Schopf (eds.) Ars Electronica 99: Life Science.
Thacker,Eugene . Biomedia. University of Minnesota Press,2004
Thacker, Eugene. The Global Genome, Biotechnology, Politics and Culture. 2005, MIT Press, Cambridge
Thacker,Eugene . The Exploit. University of Minnesota Press, 2007
Todes, Samuel. Body and World. Cambridge: MIT Press, 2001
Tompkins, Peter and Christopher Bird. The Secret Life of Plants. New York: Harper & Row. 1973
Paula A. Treichler, Lisa Cartwright, and Constance Penley (eds) The Visible Woman: Imaging Technologies, Gender, and Science. New York: New York University Press1998)
Turner,B. S. Regulating Bodies. London: Sage: 1992
van Campen, Cretien. The Hidden Sense: Synesthesia in Art and Science. MIT Press
Van Dijck, Jose. The Transparent Body: A Cultural Analysis of Medical Imaging
Whitelaw, M. Metacreation: Art and Artificial Life. The MIT Press, Cambridge, MA, 2004
Wegenstein, Bernadette. Getting Under the Skin: Body and Media Theory. MIT Press, Massachusetts, 2006
Wellcome Trust (Caterina Albano/Ken Arnold/Marina Wallace). Head On; Art with the Brain in Mind. London, 2002
Wechsler, Robert. Motion Tracking — a practical guide for performing artists. forthcoming
White, Michelle. The Body and the Screen: Theories of Internet and Spectatorship. MIT Press, Cambridge, 2006
Williams, Raymond. Problems of Materialism London : Verso, 1980
Yang, Guang-Zhong. Body Sensor Networks. Springer 2006
Zeki, Semir. Inner Vision: An Exploration of Art and the Brain Oxford Univ. Press, New York, NY, 2002

Ecology
Andrews, Max (ed). LAND, ART: A Cultural Ecology Handbook . Cornerhouse Publications. UK
Green Museum. Ecoventions. link
Matilsky, Barbara. Fragile Ecologies. New York: Rizzoli, 1992
Oakes, B. . Sculpting With The Environment–a Natural Dialogue. New York:Van Nostrand Reinhold, 1995
Oetschalager, M. The Idea of Wilderness New Haven:, Yale U. Press, 1991
Spaid, Sue (ed.), Ecovention: Current art to transform ecologies. Cincinnati: Contemporary Arts Center, 2002; B.C.
Strelow (ed), Aesthetics of Ecology. Art in Environmental Design: Theory and Practice, Basel, Berlin, Boston: Verlag f√ºr
Architektur, 2004
Wright, Will. Wild Knowledge: Science, Language, and Social Life in a Fragile Environment. Minneapolis: U. Minnesota Press, 1992.

Technologist & Scientist Accounts of Emerging Research
Albrecht, Katherine. Spychips. (rfid)
Ambron, Susanne and Kritina. Hooper (ed.) Interactive Multimedia. Seattle: Microsoft Press, 1988
Amato, Ivan. Stuff: The Things the World is Made Of. NY : BasicBooks, c1997
Ball, Philip. Designing the Molecular World. Princeton, N.J. : Princeton University Press, 1994
Barabosi, Alberto-Laszlo. Linked: the New Science of Networks. Perseus Publishing, 2002
Boden, Margaret . Mind as Machine: A History of Cognitive Science. Oxford: Oxford University Press, 2006
Brand, Stewart. Media Lab. New York: Penguin, 1987
Braddock, Sarah. TechnoTextiles. Thames & Hudson, 1999
Brockman, J., Third Culture. New York: Simon & Schuster, 1995
Brockman, J. & Katinka Matson. 1995 How Things Are. New York : W.Morrow, 1995
Breazeal Cynthia. Designing Sociable Robots review
Brooks, Rodney. Flesh and Machines. Random House, 2002 nytimes review and link to chapter
Antonio Chella and Riccardo Manzotti, Eds. Artificial Consciousness. Exeter: Academic, 2–8
Cilliers, Paul . Complexity and Postmodernism. London: Routledge, 1998
Crandall, B.C. 1996. Nanotechnology: Molecular Speculations on Global Abundance. Cambridge: MIT Press, 1992
Dery, Mark . Escape Velocity: Cyberculture at the End of the Century.New York: Grove, 1996.
Dodsworth, Clark.. Digital Illusion. Reading, MA: Addison Wesley, 1997.
Dourish. Paul. Where the Action is: The Foundations of Embodied Interaction. Cambridge: MIT Press, 2001
Drexler, Eric. Engines of Creation. New York: Morrow, 1991
Drexler, Eric. Unbounding the Future. New York: William Morrow & Company, 1991
Daston,Lorraine Ed. Things That Talk: Object Lessons from Art and Science.
Goldberg, Ken and Roland Siegwart(eds). Beyond webcams:An Introduction to Online Robots . Cambridge: mit press, 2001
Gates, Bill. The Road Ahead. New York: Penguin Books, 1995.
Gilder, G, Telecosm. New York: Simon & Schuster, 1996
Gurstelle, William . Adventures from the Technology Underground : Catapults, Pulsejets, Rail Guns, Flamethrowers, Tesla Coils, Air Cannons, and the Garage Warriors Who Love Them
Hall, Stephen. Mapping The New Millenium. New York : Vintage Books, 1993
Hakken,David . Knowledge Landscapes of Cyberspace. Routledge, 2005
Harrison, Albert. Spacefaring: The Human Dimension. University of California Press, Los Angeles, 2002
Hawk,Byron , David M. Rieder, Ollie Oviedo (eds.). Small Tech. The Culture of Digital Tools. Minneapolis: University of Minnesota Press, 2008
Hinds. Pamela and Sara Kiesler, eds. Distributed Work Cambridge: MIT Press, 2002
Holland,Owen ed Machine Consciousness Imprint Academic, Exeter, U.K., and Charlottesville, VA,., 2003
Hornyak ,Timothy N. Loving the Machine: The Art and Science of Japanese Robots
Johnson, Steven. Emergence: The Connected Lives of Ants, Brains, Cities, and Software. Cambridge: MIT Press, 2001
Jones, Steven (ed.). Cybersociety. Thousand Oaks, Calif. : Sage Publications, 1995
Joyce, Michael. Othermindedness: The Emergence of Network Culture. University of Michigan Press, Ann Arbor, MI, U.S.A., 2001
Kelly, Kevin , 1994. Out of Control: The Rise of Neo-Biological Civilization. Reading: Addison-Wesley, 1994
Kosko, Bart. Fuzzy Thinking: The New Science of Fuzzy Logic. London: Flamingo, 1993
Krueger, Myron C. Artificial Reality II, Reading: Addison-Wesley,1991
Langton,Christopher G. ( ed.), Artificial Life: An Overview. Cambridge: MIT Press, Mass, 1997
Lanier, J. Information is Alienated Experience. (forthcoming)
Lewin, Roger. Complexity: Life at the Edge of Chaos. New York: Collier,1992.
Levy, Steven. Artificial Life: The Quest for a New Creation, New York: Penguin, 1992
McNeil, Daniel & Paul Frieberger, Fuzzy Logic. New York: Simon and Schuster,1993
Mentzel, Peter and Faith D’Alusia. Robo Sapiens. Cambridge: MIT Press, 2001
Moravec,Hans. Mind Children: The Future of Robot and Human Intelligence. Cambridge: Harvard University Press, 1988
Moravec, Hans. Robot: Mere Machine to Transcendent Mind. Oxford: Oxford University Press, 1999
Mulhall, Douglas. Our Molecular Future. Prometheus Books.
Negroponte, Nicholas. Being Digital. New York: Alfred A. Knopf, 1995
Norman, Donald. The Design of Everyday Things. Doubleday, 1990
Rhinegold, H, The Virtual Community: Homesteading on the Electronic Frontier, New York: Harper Collins, 1995
Rhinegold, H, Samrt Mobs
Rushkoff, Douglas, Cyberia. Life in Trenches of Cyberspace. San Francisco:: HarperSan Francisco,1994
Sproull, Lee and Sara Kiesler. Connections: New Ways of Working in Networked Organizations. Cambridge MA: MIT Press, 1991
Siler, T. Learn to Think Like a Genius. New York: Bantam, 1997
Siler, T. Breaking the Mind Barrier. New York: Bantam, 1996
Stoll, Clifford. Silicon Snake Oil, New York: Macmillan, 1995
Toeffler, A. 1980. Third Wave. New York : W. Morrow, 1983
Watts, Duncan. Small Worlds. Princeton: Princeton University Press, 1999
Webb, Barbara and Thomas R. Consi, eds. Biorobotics: Methods and Applications. Cambridge: MIT Press, 2001
Wooley, Benjamin. Virtual Worlds, Oxford: Blackwell Publishers, 1992
Waldrop, M Mitchell, Complexity: The Emerging Science at the
Edge of Order and Chaos, New York: Penguin, 1992

Physical Computing, Interface Design, Computing Futures, Wearable
John Seely Brown and Paul Duguid. The Social Life of Information ©2002 Harvard Business School Press; ISBN: 1578517087; 1st edition.
Chris Crawford,. Understanding Interactivity, ©2000
P. Denning (Ed.), The Invisible Future: The seamless integration of technology in everyday life – see Buxton, W. (2001). Less is More (More or Less),
Anthony Dunne and Fiona Raby, Design Noir: The Secret Life of Electronic Objects, ©2001, Princeton Architectural Press; ISBN: 3764365668
Gershenfeld, Neil. When Things Start to Think. New York: Holt, 1999
Robert Jacobson. Information Design, 1st edition . ed. ©MIT Press; ISBN: 0262600358
Hansen, Mark. Bodies In Code: Interfaces with Digital Media. New York: Routledge, 2006
Brenda Laurel . Computers As Theatre ©1993 Addison-Wesley Pub Co; ISBN: 0201550601
Brenda Laurel, Peter Lunenfeld. design research: methods and perspectives. mit press, 2003
McCullough, Malcolm . Digital Ground: Architecture, Pervasive Computing, and Environmental Knowing.
Marzano, Stefano , Josephine Green, C. Van Heerden, J. Mama. NEW NOMADS, an exploration of Wearable Electronics..
Munster, Anna. Materializing New Media: Embodiment in Information Aesthetics. Hanover, NH: Dartmouth College/University of New England Press, 2006
Philips. 010 Publishing. http://www.design.philips.com/smartconnections/newnomads/index.html
Donald A. Norman . The Design of Everyday Things, ©1990 Doubleday Books; ISBN: 0385267746
Donald A. Norman. The Things That Make Us Smart, ©1993, Perseus Books, ISBN:0201626950
O’Sullivan, Dan and Tom Igoe. Physical Computing. thompson publisher, Boston, 2004
Nathan Shedroff . Experience Design ©2001 New Riders Publishing; ISBN: 0735710783
Shneiderman, Ben. Leonardo’s Laptop: Human Needs and the New Computing Technologies

Critical Theory and Other Analyses of Culture & Technology
Adorno, Theodor W. The Culture Industry: Selected Essays on Mass Culture, ed J.M. Bernstein,, London: Routledge, 1991
Amin, A (ed), Post-Fordism: a Reader. Oxford: Blackwell, 1994
Armitage, John (ed). Paul Virilio: From Modernism to Hypermodernism and Beyond
Ascott, Roy and Eddie Shanken. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. UC Press, 2003
Baudrillard, Jean. Simulations. New York:Semiotext[e], 1983
Baudrillard,Jean 1988. Ecstacy of Communcation. Brooklyn: Autonomedia, c1988
Bell, David. Introduction to Cyberculture. Routledge, ny 2001
Benjamin, Walter. Illuminations,(New York: Schocken Books, 1976
Bender, G. & Druckrey, T. (eds). Culture on the Brink: The Ideologies of Technology. New York: Dia/Bay Press, 1994
Bolter, Jay. and Richard Gursin. Remediation: understanding new media. MIT Press
Borgmann, Albert. Crossing the Postmodern Divide. Chicago: University of Chicago Press, 1992
Brook, James and Iain A. Boal, (eds.) Resisting the Virtual Life: The Culture and Politics of Information. San Francisco: Citylights, 1995
Joke Brouwer, Arjen Mulder. TransUrbanism. V2_Publishing/NAI Publishers. Netherlands, 2002
Bruno, Giuliana. Alien Zone. London:Verso, 1990
Bukatmen, Scott Terminal Identity: The Virtual Subject in Post-Modern Science Fiction. Durham: Duke University Press, 1993
CAiiA.Consciousness Reframed: Art and Consciousness in the Post-Biological Era. Conference Proceedings. Newport, Wales: Univ. of Wales College, 1997
Calvert, Melodie. Processed Lives: Gender and Technology in Everyday Life. Routledge
Carey, James W. Communication As Culture: Essays on Media and Society, Boston: Unwin Hyman, 1989
Casey, Edward S. Earth-Mapping: Artists Reshaping Landscape. University of Minnesota Press, Minneapolis,, 2005
Chandler, Annmarie and Norie Neumark. AT A DISTANCE: PRECURSORS TO ART AND ACTIVISM ON THE INTERNET.
Crandall, Jordan. Drive. Hatje Cantz Publishers. 2003. http://www.hatjecantz.de http- www.artbook.com
Crary, Jonathan. Techniques of the Observer. Cambridge: MIT Press,1992
Crary, Jonathan. Suspensions of Perception: Attention, Spectacle and Modern Culture. Cambridge: MIT Press,2001
Conley, V. Andermatt. Rethinking Technologies. Minneapolis: University of Minnesota Press, 1992
Coyne, Richard. Technoromanticism: Digital Narrative, Holism, and the Romance of
the Real. Cambridge: MIT Press,2000
Danto, Arthur. Unnatural Wonders: Essays from the Gap Between Art and Life
Debray, Regis. Introduction a la Mediologie. Presses Universitaires de France, 2000
De Landa, Manuel. War in the Age of Intelligent Machines. New York : Zone Books, 1991
de Kerckhove, Derrick The Skin of Culture: Investigating the New Electronic Reality, Toronto: Somerville House, 1995
de Kerckhove, Derrick. Connected Intelligence: The Arrival of the Web Society. Toronto: Somerville House, 2002
Dienst, Richard Still Life in Real Time: Theory After Television. Durham, N.C. : Duke University Press, 1994
Druckrey, Timothy. Iterations. Camabaridge: MIT Press, 1994
Druckrey,Timothy (ed). Electronic Culture: Technology & Visual Representation. New York: Aperture, 1997
Timothy Druckrey and Bender, Gretchen, (eds), Cultures on the Brink: Ideologies of Technology, Seattle: Bay Press, 1994
Dyens, Olliver.file:///Users/cia/Desktop/steve%20-%20immediate/updates43.done.txt Metal and Flesh: The Evolution of Man: Technology Takes Over. MIT Press
Easton, Thomas. Taking Sides: Clashing Views on Controversial Issues in Science, Technology, and Society. Guilford, Conn. : Dushkin/McGraw-Hill, 1998
Featherstone, Mike and Roger Burrows, eds. Cyberspace/Cyberbodies/Cyberpunk: Cultures of Technological
Embodiment, London: Sage (1995)
Feenberg, Andrew, Critical Theory of Technology, Oxford: OxfordUniversity Press, 1991
Fischer,Claude S. America Calling. A Social History of Telephone to 1940. Berkeley: CA, University of California Press, 1992
Flanagan, Mary and Austin Booth, eds. Reload: Rethinking Women and Cyberculture. Cambridge: MIT Press, 2002
Flew, Terry. New Media. Oxford U Press, 2003
Focillon, Henry. The Life of Forms in Art. New York: Zone Books, 1992
Foster, Hal (ed.) Discussions in Contemporary Culture.Seattle: Bay Press, 1987
Foster, Hal. The Return of the Real. Cambridge: MIT Press, 1996
Foster, Hal. Prosthetic Gods.MIT Press, Cambridge, MA, U.S.A., 2004
Foucault, M. Discipline and Punish. New York: Viking, 1979
Frascina, F. and Jonathan Harris (ed.) Art in Modern Culture: Anthology of Critical Texts.
Friedberg, Anne. Window Shopping. Berkeley : University of California Press, 1993
Fuller, Matthew. Media Ecologies, Materialist Energies in Art and Tecnoculture. Cambridge: MIT Press, 2005
Fuller, Matthew. ed. Software Studies: A Lexicon. Cambridge: MIT Press, 2008
Goriunova,Olga and Alexei Shulgin, Eds. Read_Me: Software Art and Culture Helsinki: Aarhus, 2004
Gere, Charlie. Digital Culture. Reaktion Books Ltd., London, 2002
Gere, Charlie. Art, Time and Technology. Berg, 2006
Ghosh, Rishab Aiyer ed. CODE: Collaborative Ownership and the Digital Economy
Giedion, Siegfried. Mechanization Takes Command: A Contribution to Anonymous History New York: Norton, 1948.
Ginsburg,Faye D, Lila Abu-Lughod, Brian Larkin, eds. Media Worlds: Anthropology on a New Terrain. University of California Press, Berkeley, CA, U.S.A., 2002
Gitelman, Lisa. Always Already New Media, History, and the Data of Culture. Cambridge: MIT Press, 2008
Grau, Oliver. Virtuelle Kunst in Geschichte und Gegenwart: Visuelle Strategies (Virtual Arts in History and the Present). Dietrich Reimer Press, Berlin, 2001
Grau, Oliver. ed. Media Art Histories. MIT Press, Cambridge, MA,
Grau, Oliver. Virtual Art: From Illusion to Immersion. MIT Press, Cambridge, MA, 2002
Gray, Chris Hables, (ed.) The Cyborg Handbook. London: Routledge, 1996
Gunnar Liest¯l, Andrew Morrison, Terje Rasmussen eds. Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains. Cambridge: MIT Press, 2003
Guisnel , Jean. Cyberwars: Espionage on the Internet. New York: Plenum Press, 1997
Habermas, Jurgen, The Theory of Communicative Action, 2 vols, Polity Press, Cambridge, 1989
Hansen, Mark. New Philosophy for New Media. MIT Press, Cambridge, MA, 2004
Hardison, O. B. Disappearing Through the Skylight: Culture and Technology in the Twentieth Century. New York: Viking, 1991
Haraway, Donna. The Haraway Reader. routledge.
Hayles, Katherine. (ed) Nanoculture. Implications of the New Technoscience
Heidegger,Martin. The Question Concerning Technology. New York : Garland Pub., 1977
Heilbroner, Robert. Visions of the Future: The Distant Past, Yesterday, Today, Tommorrow. Oxford: Oxford University Press, 1996
Hershmann, Lynn (ed.). Clicking In: Hot Links to a Digital Culture. Seattle: Bay Press, 1996
Idhe, Don & Evan Selinger. Chasing Technoscience
Ione, Amy. Innovation and Visualization: Trajectories, Strategies, and Myths, Edditions Rodopi
Insoe, Hiroshi & Pierce, John, Information Technology and Civilization. New York: W.H. Freeman, 1994
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2–6
Kahn, Douglas and Diane Neumaier (eds) Cultures in Contention. Seattle: The Real Comet Press, 1985
Kahn, Douglas and Gregory Whitehead (eds). Wireless Imagination. Cambridge: MIT Press:, 1992
Kelty, Christopher M. Two Bits: The Cultural Significance of Free Software/ (http://twobits.net)
Kendall, Lori. Hanging Out in the Virtual Pub: Masculinities and Relationships Online. University of California Press, Berkeley, 2002
Kirschenbaum, Matthew G. Mechanisms. New Media and the Forensic Imagination. Cambridge: MIT Press:, 2008
Krauss, Rosalind et al (ed). October: The Second Decade. Cambridge: MIT Press,1997
Kroker, Arthur. The Possessed Individual: Technology and Postmodernity. New York: Macmillan, 1992
Kroker, Arthur and Michael A Weinstein. Data Trash: The Theory of the Virtual Class. Montreal:New World Perspectives, 1994
Kroker, Arthur and Marilouise Kroker. Hacking the Future: Stories for the Flesh-Eating 90s, Montreal: New World Perspectives, 1996.
Kroker, Arthur and Kroker, Marilouise, (eds.). Digital Delirium. New York: St. Martin’s Press, 1997
Krysa, Joasia.(ed). DATA browser 03: Curating Immateriality Autonomedia, Brooklyn,, 2006.
Landow, George P. Hypertext 3.0:Critical theory and new media in an era of globalization
Langlois Fdn & Guggenheim Museum. Permanence Through Change: The Variable Media Approach http://variablemedia.net/e/preserving/html/var_pub_index.html
Liest¯l,, Gunnar et al., eds. Digital Media Revisited: Theoretical and Conceptual Innovations in Digital Domains. MIT Press, 2003
Leão, Lucia. O chip e o caleidoscópio: reflexões sobre as novas mídias. São Paulo: Ed. SENAC, 2005 (portuguese)
Levin, THomas and Ursual Frohne and Peter Weibel, CTRL [space];Rhetorics of Surveillance. MIT Press, 2006
Levin, Gail and Elaine King (eds). Ethics and the Visual Arts. Allston Press, 2006
Lacy, Suzzanne (ed). Mapping the Terrain. Bay Press
Levy, Pierre. Electronic Mediations Series, Vol. 4: Cyberculture. University of Minnesota Press, Minneapolis,2002
Gunnar Liestol, Andrew Morrison and Terje Rasmussen, eds. Digital Media Revisited: Theoretical and Conceptual Innovation in Digital Domains MIT Press, Cambridge, MA, 2004
Lovejoy, Margot, Christiane Paul, Victoria Vesna. eds. CONTEXT PROVIDERS: Conditions of Meaning in Media Arts . U of Minnesota Press. Minneapolis,2007
Krysa, Joasia. (ed) DATA browser 03: Curating Immateriality. Autonomedia, Brooklyn, NY, 2006.
Lefevre, Wolfgang. Picturing Machines: 1400-1700.
Levinson, Paul. RealSpace. Routledge.
Lister, Martin, Jon dovey, Giddings, Grant, Kelly New Media: A Critical Introduction. Routledge: New York, 2003
Lovejoy Margot. Postmodern Currents, Art and Artists in the Age of Electronic Media, Upper Saddle River, N.J.:Prentice Hall, 1997
Lovink, Geert. Dark Fiber: Tracking Critical Internet Culture. MIT Press, Cambridge, MA, 2002
Lovink, Geert. Uncanny Networks: Dialogues with the Virtual Intelligentsia. MIT Press, Cambridg
Lucky, Robert. Silicon Dreams: Information, Man and Machine, New York: St. Martin’s Press, 1989
Ludlow, Peter. High Noon on the Eelctronic Frontier. Cambridge: MIT Press, 1996
Lunenfeld, Peter. Digital Dialectic. Cambridge: MIT Press, 1999
Luenfield, Peter. Snap to Grid. MIT Press, 2001
Luenfield, Peter. User Info TechDemod. MIT Press, 2005
Mander, Jerry. Four Arguments for the Elimination of Television. New York : Morrow, 1978
Manovich, Lev. The Language of New Media. Cambridge: MIT Press, 2001
Manovich, Lev & Andreas Kratky. SOFT CINEMA: Navigating the Database.(dvd) Cambridge: MIT Press, 2005
Massumi, Brian . PARABLES FOR THE VIRTUAL: Movement, affect, sensation.
Milburn, Colin. Nanotechnology in the Age of Posthuman Engineering: Science Fiction as Science 2008
Mitchell,Robert and Phillip Thurtle, Editors. Data Made Flesh: Embodying Information New York: Routledge, 2004
Morse, Margaret. Virtualities : Television, Media Art, And Cyberculture. Bloomington: Indiana University Press, 1998
McCarthy, Kevin F. and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand, Santa Monica, CA, 2002
McLuhan,Marshall . Understanding Media. Cambridge:The MIT Press, 1994
Marvin, Carol. When Old Technologies Were New. Oxford: Oxford Univ. Press, 1988
William J. Mitchell. Me++: The Cyborg Self and the Networked City. MIT Press, Cambridge, MA, U.S.A., 200
Mitchell, William J. City of Bits: Space, Place and the Infobahn, Cambridge: MIT Press,1995
Mosco, Vincent. THE DIGITAL SUBLIME: MYTH, POWER AND CYBERSPACE. MIT Press, Cambridge, MA, 2004
N’gugi, Wa Thiongu. DeColonizing the Mind.
Norris, Christopher. What’s Wrong with Postmodernism. Baltimore: Johns Hopkins Press, 1990
Parikka,Jussi . Digital Contagions: A Media Archaeology of Computer Viruses (Peter Lang Books, 2007)
Paul, Christiane (ed). New Media in the White Cube and Beyond: Curatorial Models for Digital Art. University of California Press, Berkeley, London, USA, UK, 2008.
Penley, Constance & Andrew Ross (eds.). Technoculture.Minneapolis: University of Minnesota Press, 1995
Penny Simon, Critical Issues in Electronic Media, Albany, NY: SUNY Press, 1995
Pisters, Patricia. Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari.
Robert Pepperell and Michael Punt. Postdigital Membrane.
Poster, Mark. Critical Theory and Poststructuralism: In Search of a Context. Ithaca: Cornell University Press, 1989
Poster, Mark. The Mode of Information. Chicago: University of Chicago Press, 1990
Poster, Mark, The Second Media Revolution. Cambridge: Polity Press:, 1995
Poster, Mark, Information Please: Culture and Politics in the Age of Digital Machines. Duke University Press, Durham U.S.A, 2006
Postman, Neil.Technopoly: The Surrender of Culture to Technology. New York: Vintage,1993
QuÈau, Philippe. La planËte des esprits – pour une politique du cyberespace. Odile Jacob, Paris, 2000
Roszak, Theodore. The Cult of Information. New York: Pantheon, 1988
Ronnell, Avital. The Telephone Book: Technology, Schizophrenia, Electronic Space. Omaha: Univ. of Nebraska, 1988
&&Rucker, Rudy, R.U Sirius and Queen Mu (eds.), Mondo 2000: A User”s Guide to the New Edge,New York, NY: HarperPerennial, c1992
Stafford, Barbara Maria. Echo Objects: The Cognitive Works of Images.The University of Chicago Press: Chicago USA, 2007.
Schiffer, Michael Brian. Power Struggles: Scientific Authority and the Creation of Practical Electricity Before Edison. Cambridge: MIT Press, 2008
Scott, Jill. Coded Characters. http://www.jillscott.org Hatje Cantz Publishers, Ostfildern-Ruit, Germany, 2003
Schwartau, Winn. Information Warfare: Chaos on the Electronic Superhighway. New York: Thunder’s Mouth Press, 1994
Shallis, Michae. The Silicon Idol: The Micro Revolution and its Social Implications. Oxford: Oxford University Press, 1984
Sherman, Tom. Before and After the I-Bomb: An Artist in theInformation Environment. Printed Matter, Inc.:
Smith, Matthew. The Total Work of Art: From Bayreuth to Cyberspace.
Stabile, Carol A. Feminism and the Technological Fix. Manchester: Manchester University Press, 1994
Stone, Allucquere Rosanne. The War of Desire and Technology at the Close of the Mechanical Age. Cambridge: MIT Press, 1996
Strohl, Andreas ed. Vilem Flusser: Writings. University of Minnesota Press, Minneapolis, 2002
Tawadros, Gilane. Life is More Important Than Art. Ostrich
Teich,Albert, Technology and the Future, 7th edition. New York : St. Martin’s Press, 1997
Thomas, Douglas. Hacker Culture, University of Minnesota Press, Minneapolis, 2002
Tofts,Darren and Annemarie Jonson and Alessio Cavallaro (Eds) Prefiguring Cyberculture: An Intellectual History. MIT Press, 2003
Trend, David ed. Reading Digital Culture. 2000
Turkle, Sherry. Life on the Screen: Identity in the Age of the Internet. New York: Touchstone Books, 1997
Turkle, Sherry. Inner History of Devices. Cambridge: MIT Press,2008
Virilio, Paul. The Aesthetics of Disappearance, trans Philip Beitchman, New York: Semiotext(e), 1991.
Virilio, Paul. War and Cinema, London: Verson, 1989
Virilio, Paul. The Vision Machine. London: BFI, 1994
Virilio,Paul The Lost Dimension. New York : Semiotext(e), 1991
Wallis, Brian. Art After Postmodernism: Rethinking Representation. New York: New Museum,, 1984
Webster, F. Theories of the Information Society. London: Routledge, 1995.
Weizenbaum, Joseph. Computer Power and Human Reason, New York: Pelican, 1976
Zielinski, Siegfried. Deep Time of the Media: Towards an Archaeology of Hearing and Seeing by Technical Means. MIT Press. Cambridge, 2006
Zofia, Z. Whose Second Self? Gender and (Ir)Rationality in Computer Culture. Victoria: Deakin University Press,1993

Analysis of Computer Impact on Society and Specific Digital Technologies

Aleksander, Igor and Piers Burnett. Thinking Machines: The Search for Artificial Intelligence. Oxford: Oxford University Press, 1987
Alexsander, Igor . How to Build a Mind: Toward Machines with Imagination. Columbia Univ. Press, New York,2001
Battelle, John . The Search: How Google and Its Rivals Rewrote the Rules of Business and Transformed Our Culture. Portfolio Trade, 2006
Bolter, J. David. Turing’s Man: Western Culture in the Computer Age. New York: Penguin, 1984.
Breazeal, Cynthia L. Designing Sociable Robots. MIT Press, Cambridge, MA, 2002
Brook, James and Iain A. Boal (eds) Resisting the Virtual Life: The Culture and Politics of Information . San Francisco : City Lights Press,, 1995
Brooks, Rodney. Flesh and Machines: how robots will change life.
Bruce, Vicki and Andy Young. In the Eye Of the Beholder: the Science of Face Perscepion. New York : Oxford University Press, 1998
Card, S. K., J. D. Mackinlay, et al. Information Visualization: Using Vision to Think. San Francisco: Morgan-Kaufmann, 1998
Chesterman, John and Andy Lipman. The Electronic Pirates: DIY Crime of the Century. London: Routledge1988
Crevier, Daniel. AI: The Tumultuous History of the Search for Artificial Intelligence, New York: Basic Books, 1993
Cringeley, Robert X. Accidental Empires: How the Boys of Silicon Valley Make Their Millions, Battle Foreign Competition and Still Can’t Get a Date, New York: Penguin, 1992
Critical Art Ensemble. The Electronic Disturbance. New York:Autonomedia,1994
Critical Art Ensemble. Electronic Civil Disobedience and Other Unpopular Ideas. New York: Autonomedia/Semiotext(e), 1996
Davies, Paul. The Cosmic Blueprint: Order And Complexity at the Edge of Chaos, New York: Penguin, 1987
Davis, Erik. Techgnosis: Myth, Magic + Mysticism in the Age of Information.
New York: Harmony Books, 1998.
Dourish,Paul. Where the Action Is: The Foundations of Embodied Interaction. MIT Press, Cambridge, MA,, 2001
Dreyfus, Hubert L. What Computers Still Can’t Do: A Critique of Artificial Reason, Cambridge: MIT Press, 1992
Dreyfus, Hubert and Stuart. Mind Over Machine: The Power of Human Intuition and Expertise in the Era of the Computer. Free Press.
Edwards, Paul. The Closed World: Computers and the Politics of Discourse in Cold War America. Cambridge: The MIT Press, 1996
Erickson, Thomas and David W. McDonalds (eds). HCI Remixed. Reflections on Works That Have Influenced the HCI Community. Cambridge: The MIT Press,2008
Feathersone, Mike. Undoing Culture: Globalization, Postmodernism and Identity, London: Sage, 1995
Feathestone, Mike, Scott Lash and Roland Robertson (eds.) Global Modernities, London: Sage,1995.
Freedman, David H. Brainmakers: How Scientists are Moving Beyond Computers to Create a Rival to the Human Brain. New York: Touchstone, 1994
Freiberger, Paul and Michael Swain, Fire in the Valley: The Making of the Personal Computer. Berkeley: Osborne/McGraw Hill, 198)
Dennett, Daniel C. Consciousness Explained. New York: Penguin, 1991
Lansdale, Mark W. and Thomas C. Ormerod. Understanding Interfaces: A Handbook of Human-Computer Dialogue. San Diego: Academic Press, 1994
Gardner, Howard , The Mind’s New Science: A History of the Cognitive Revolution, rev ed, New York: HarperCollins ,1987
Gelernter, David , Mirror Worlds, New York: Oxford University Press,1991
Gelernter, David , The Muse in the Machine: Computers and Creative Thought, London: Fourth Estate,1994
Gilder, George. Microcosm. New York : Simon and Schuster, 1989
Goldberg, Ken (ed). The Robot in the Garden. Cambridge: MIT Press,1999
Harasim, Linda M. (ed.) Global Networks: Computers and International Communication, Cambridge: MIT Press, 1993
Hertz, J.C. Joystick Nation. Boston: Little, Brown and Company, 1997
Johnson, Robert. Margins of Reality. (mutual influence of the physical and cyber)
Langton, Christopher (ed). Proceedings of Artificial Life Conferences.
Laurel, Brenda. Utopian Entrepeneur.
Levinson, Paul. Mind at Large.
Levy, Steven. Hackers: Heroes of the Computer Revolution. New York: Anchor Press/ Doubleday, 1984
Hafner, Katie and John Markoff. Cyberpunk: Outlaws and Hackers on the Computer Frontier. London: Corgi, 1991
Haugeland, JohnArtificial Intelligence: the Very Idea. Cambridge: MIT Press,1985
Hiltz, Starr Roxanne and Murray Turoff. The Network Nation: Human Communication Via Computer. Cambridge: MIT Press, 1993
Hoffstaedter, R and D. Dennett. The Mind’s I. New York: Bantam, 1982
Holzman, Steven R. Digital Mantras: The Languages of Abstract and Digital Worlds. Cambridge: MIT Press,1994
Ichbiah, Daniel, with Susan L Knepper. The Making of Microsoft: How Bill Gates and His Team Created the World’s Most Successful Software Company. Rocklin, CA. Prima Publishing, 1993
Jones, Steven G. Cybersociety: Computer-Mediated Communication and Community, London: Sage, 1995
Kurtzman, Joel. The Death of Money: How The Electronic Economy has Destabilized the World’s Markets and Created Financial Chaos. New York: Simon and Schuster,1993
Kurzweil, Raymond (ed.) The Age of Intelligent Machines. Cambridge: MIT Press, 1992
Kurzweil, Raymond. The Age of Spiritual Machines : When Computers Exceed Human Intelligence. New York: Viking, 1999
Laurel, Brenda (ed.) , The Art of Human-Computer Interface Design, Reading MA: Addison Wesley, 1990
Laurel, Brenda. Computers as Theatre. Reading,MA: Addison-Wesley, 1993.
Levidow, Les and Kevin Robins (eds.) Cyborg Worlds: The Military Information Society. London:Free Association Booksm, 1989,.
Levy, Pierre. Collective Intelligence : Mankind’s Emerging World in Cyberspace. New York: Plenum Press, 1997.
Levy, Pierre, . Becoming virtual : reality in the Digital Age. New York: Plenum Trade, 1998
Levy, Steven. Insanely Great: The Life and Times of Macintosh, the Computer that Changed Everything, New York: Penguin, 1994
Lury, Celia. Cultural Rights: Technology, Legality and Personality. London: Routledge, 1993
Lyon, David. , The Information Society: Issues and Illusions, Cambridge: Polity, 1988
Lyon, David. The Electronic Eye: The Rise of Surveillance Society. Minneapolis: University of Minnesota Press, 1994
Mann, Steve. Cyborg:Digital Destiny and Human Possibility in the Age of the Wearable
Computer. New York: Randomhouse Doubleday, 2001
Martin, William J. , The Global Information Society, London: Aslib1995
Menzel,Peter and FaithD’Aluisio. Robo sapiens: Evolution of a New Species. Cambridge: MIT Press, 2001
Minsky, Marvin The Society of Mind. New York: Simon & Shuster,1986
Mouseworks. Contemporary Automata A Continuum . http://www.mouseworkscanada.com
Muller, Jorg Design of Intelligent Agents. Berlin: Springer, 1996
Nancy, Jean Luc. The Inoperative Community. Minneapolis: University of
Minnesota Press,1991
Nelson, Theodor. Computer Lib/ Dream Machines. Redmond, Wash.:Tempus Books of Microsoft Press, 1987
Penrose, Roger. The Emperor’s New Mind. New York: Oxford University Press, 1989
Picard, Rosalind W. Affective Computing. Cambridge: MIT Press, 1997
Reeves, Byron and Clifford Nass. The Media Equation: How People Treat Computers, Television, and New Media Like Real People and Places. Cambridge: Cambridge Univ Press, 1996
Shneiderman, Ben. Designing the User Interface: Strategies for Effective Human-Computer Interaction, Second Edition. Menlo Park: Addison-Wesley,1998
Scholder,Amy and Jordan Crandall (eds.) INTERACTION: Artistic Practice in the Network. (Eyebeam Atelier and D.A.P.)
Scientific American . ??Communications, Computers and Networks: How to Work, Play and Thrive in Cyberspace??, vol.265 no.3, (September, 1991).
Scientific American. ??The Computer in the 21st Century??, special issue (1995)
Shields, Rob (ed.) Cultures of Internet: Virtual Spaces, Real Histories, Living Bodies. London: SAGE Publications, 1996
Silverstone, Roger and Eric Hirsch (eds.) Consuming Technologies: Media and Information in Domestic Spaces. London: Routledge,1992
MacCabe, Colin (ed.) High Theory, Low Culture. Manchester: Manchester University Press, 1993
Smith, Anthony. From Books to Bytes: Knowledge and Information in the Postmodern Era, London: BFI, 1993
Sondheim, Alan. Being on Line. Lusitania Press, NY
Sterling, Bruce. The Hacker Crackdown: Law and Disorder on the Electronic Frontier. New York: Penguin, 1992
Talbot, Stephen. The Future Does Not Compute. O’Reilly Books
Tapscott, Don T and Anthony D. Williams. Wikinomics: How Mass Collaboration Changes Everything . Portfolio Publishers, 2006
Thomas, Douglas. Hacker Culture. University of Minnesota Press, Minneapolis, MN., U.S.A, 2002
Turkle, Sherry. The Second Self: Computers and the Human Spirit. New York : Simon and Schuster,1984
Wallace, James and Jim Erickson , Hard Drive: Bill Gates and the Making of the Microsoft Emire New York: Harper Business,1992
Wasko, Janet Hollywood in the Information Age, Cambridge: Polity, 1994
Watson, Mark. AI Agents in Virtual Reality Worlds. New York: Wiley, 1996
Webster, Frank, Theories of the Information Society. London:Routledge, 1995
Wiener, Norbert. Cybernetics or, Control and Communication in the Animal amd the Machine. Cambridge: MIT Press,1948
Wiener, Norbert. The Human Use of Human beings: Cybernetics and Society. London:Free Association Books, 1989

Games
Ban Burnham, Supercade: A Visual History of the Videogame Age. Cambriidge: MIT press, 2001
M. Bittanti, D. Quaranta (a cura di), GameScenes. Art in the Age of Videogames, Milano, Johan & Levi 2006
Andy Clarke and Grethe Mitchell. Videogames and Art (2007). Intellect Books.. http://www.press.uchicago.edu/cgi-bin/hfs.cgi/00/226001.ctl
Joline Blais and Jon Ippolito. At the Edge of Art. (chapter on deep play.) Thames and Hudson (2006)
Flanagan, Mary and Austin Booth. re:skin MIT Press, Cambridge, Massachusetts, USA, 2007
Kelman, Nic. Video Game Art. Assouline, 2006 http://www.assoulineusa.com/video_game_art.html
Kafai,Y.B, C. Heeter, J. Denner and J. Y. Sun (eds.) Beyond Barbie & Mortal Kombat. New Perspectives on Gender and Gaming.. MIT Press, Cambridge, Massachusetts, USA, 2008
Raessens,Joost and Jeffrey Goldstein eds. Handbook of Computer Game Studies. Cambridge, Mass: MIT Press, 2005
Taylor, T.L. Play Between World: Exploring Online Game Culture. MIT Press, Cambridge, Massachusetts, USA 2006.

Hypermedia, Interactive Narrative, Database Art
Amerika, Mark. META/DATA: A Digital Poetics. Cambridge: MIT Press, 2006
Aronowitz, Stanley, Barbara Martinsons and Michael Menser (eds.) Technoscience and Cyberculture London: Routledge,1996
Barrett, Edward (ed.) The Society of Text: Hypertext, Hypermedia and the Social Construction of Information, Cambridge: MIT Press, 1989
Birketts, Sven. Gutenberg Elegies: The Fate of Reading in an Electronic Age, London: Faber, 1994
Claire,Bishop, ed. Participation in Art: 1960 to 1975. Cambridge: MIT Press, 2006
Anna Best, Yvonne Dröge Wendel, Nikolaus Gansterer, Lino Hellings, Mine Kaylan and Klaas Kuitenbrouwer, Wietske Maas. Architecture of Interaction. http://www.architectureofinteraction.net/pmwiki/pmwiki.php?n=AoI.ArchitectureOfInteraction
Bolter, Jay. Writing Sapce: Computer, Hypertext and History of Writing.
Cotter, Bob and Richard Ellver (eds). Understanding Hypermedia. Phaidon Press
Coyne, Richard, Designing Information Technology in the Postmodern Age, From Method to Metaphor, Cambridge: MIT Press, Leonardo Book Series, 1996
Coyne, Richard. Technoromanticism: Digital narrative, Holism and the Romance of the Real. Cambridge: MIT Press, Leonardo Book Series, 1999
Delany, Paul and George P Landow (eds.) Hypermedia and Literary Studies Cambridge: MIT Press, 1991
Douglas, J. Yellowlees. The End of Books–or Books Without End?: Reading Interactive Narratives. University of Michigan Press, Ann Arbor, MI, 2001
Frid-Jimenez, Amber . Leave Any Noise at the Signal: Participation Art Online. MIT Thesis
Gumbrecht, Hans Ulrich and K Ludwig Pfeiffer (eds.) Materialities of Communication, trans William Whobrey. Stanford: Stanford University Press, 1994
Heim, Michael. Electric Language: A Philosophical Study of Word Processing. New Haven: Yale University Press,1987
Hayles, Katerine. Writing Machines, MIT Press, Cambridge, MA, 2002
Joyce, Michael. Of Two Minds : Hypertext Pedagogy and Poetics. Ann Arbor: University of Michigan Press, 1995
Kafa,Yasmin B.i, Carrie Heeter, Jill Denner and Jennifer Y. Sun (eds.) Beyond Barbie & Mortal Kombat: New Perspectives on Gender and Gaming.
Varnelis,Kazys (ed) Networked Public Culture. Cambridge: MIT Press, Leonardo Book Series,2009
Landow, George P. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Baltimore: Johns Hopkins University Press, 1992
Landow, George P. Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology.
Landow, George P (ed.) Hyper/Text/Theory. Baltimore: Johns Hopkins University Press, 1994
Landow, George P and Paul Delaney (eds.). The Digital Word: Text-Based Computing in the Humanities. Cambridge: MIT Press, 1993
Lanham, Richard A. The Electric Word: Democracy, Technology and the Arts. Chicago: University of Chicago Press, 1993
Liu, Alan. Local Transcendence: Essays on Postmodern Historicism and the Database. University of Chicago Press, Chicago, USA, 2008
Margot Lovejoy, Christiane Paul, Victoria Vesna. CONTEXT PROVIDERS: Conditions of Meaning in Media Arts. U of Minnesota Press, 2007
Meadows, Mark. Pause & Effect: The Art of Interactive Narrative. New Riders, Indianapolis, IA, U.S., 2002 information
Morris, Adalaide, Thomas Swiss(eds) New Media Poetics: Contexts, Technotexts and Theories. MIT Press, Massachusetts, 2006.
Murray, Janet H. Hamlet on the Holodeck : The Future of Narrative in Cyberspace. New York: Free Press, 1997
Neilson, Jakob. Multimedia and Hypertext: The Internet and Beyond. Cambridge, MA, AP Professional, 1996
Sommerer, Christa , Laurent Mignonneau and Dorothee King (eds.) Interface Cultures: Artistic Aspects of Interaction. Transcript Verlag, Bielefeld, Germany, 2008
Tuman, Myron C (ed.) Literacy Online: The Promise (and Peril) of Reading and Writing on Computers. Pittsburgh: University of Pittsburgh Press, 1992
.
Reflections on Digital Aesthetics, Video, Cinema, Future Cinema
Ben Shaul, Nitzan . Hyper-Narrative Interactive Cinema. Amsterdam: Rodopi, 2008
D’Agostino, Peter and David Tafler (eds.) Transmission: Theory and Practice for a New Television Aesthetics, rev ed., New York: Sage,1995.
Conley, Tom . Cartographic Cinema. Minneapolis: U of Minnesota Press, 2006
Couchot, Edmond. La technologie dans l??art; de la photographie la reealite virtuelle, Paris: Ed Jacqueline Chambon, 1998
Dovey, Jon (ed.) Fractal Dreams: New Media in Social Context. London: Lawrence and Wishart, 1996
Hall, Doug and Sally-Jo Fifer (eds.) Illuminating Video: An Essential Guide to Video Art, New York: Aperture/Bay Area Video Coalition, 1990
Hayward, Philip and Tana Wollen (eds.) Future Visions: New Technologies of the Screen. London: BFI , 1993,
Le Grice,Malcolm. Experimental Cinema in the Digital Age. Berkeley:University of California Press,2002
Lister, Martin. The Photographic Image in Digital Culture. London: Routledge, 1995
Lev Manovich and Andreas Kratky. Soft Cinema: Navigating the Database. MIT PRess, 2005 (dvd)
Mitchell, William J. The Reconfigured Eye: Visual Truth in the Post-Photographic Era, Cambridge: MIT Press, 1992
Murray, Timothy. Digital Baroque: New Media Art and Cinematic Folds University of Minnesota Press, Minneapolis, London, USA, UK, 2008
Ritchin, Fred. In Our Own Image: The Coming Revolution in Photography. New York: Aperture Foundation, 1990.
Shaw,Jeffrey<> & Peter Weibel.(eds.) Future cinema: the cinematic imaginary after film. ZKM, Karlsruhe; Cambrige: <>MIT Press. 2003
Spielmann, Yvonne. Video: The Reflexive Medium. Cambridge: MIT Press,
<>* Wombell, Paul (ed.) Photovideo: Photography in the Age of the Computer, London: Rivers Oram Press,1991

Virtual Reality
Benedikt, Michael (ed.) Cyberspace: First Steps, Cambridge: MIT Press, 1994
Franck , Karen A When I Enter Virtual Reality, What Body Will I Leave Behind?
Heim, Michael. The Metaphysics of Virtual Reality. New York : Oxford University Press, 1993
Helsel, S.K. and J.P. Roth (eds.) Virtual Reality: Theory, Practice and Promise, Westport Conn: Meckler, 1991
Loeffler, Carl, 1994. Virtual Reality Casebook. New York: Van Norstrand, 1994
Markley, Robert (ed.) Virtual Realities and their Discontents. .Baltimore: Johns Hopkins University Press, 1996
Morley, David and Kevin Robins. Spaces of Identity: Global Media, Electronic Landscapes and Cultural Boundaries. London:Routledge, 1995
McRobert, Laurie. Char Davies’ Immersive Virtual Art and the Essence of Spatiality. U of Toronto Press, 2008
Moser, Mary & Douglas MacLeod. Immersed in Technology. Cambridge: MIT Press, 1996
Pool, Ithiel de Sola. Technology Without Boundaries: On Telecommunications in a Global Age, Cambridge: Harvard University Press, 1990
Rhinegold, H , Virtual Reality, New York: Simon and Schuster, 1991
Shuler, Douglas. New Community Networks: Wired for Change. Reading MA: Addison Wesley,1996
Thalmann, Nadia Magenat and Daniel Thalmann. Virtual Worlds and Multimedia, New York: John Wiley, 1993
Benjamin Woolley, Virtual Worlds: A Journey in Hype and Hyperreality . Oxford: Blackwell, 1992

Sound Arts
Apple, Jacki and Helen Thorington. Breaking The Broadcast Barrier. Radio Art 1980-1994 . New York: New American Radio, 1996
Augaitis, Daina and Dan Lander. Radio Rethink. Banff: Walter Phillips Gallery, 1994
Barry Blesser and Linda-Ruth Salter – Spaces Speak, Are You Listening? MIT Press. Cambridge,
Birdsall,Carolyn and Anthony Enns (eds.).Sonic Mediations: Body Sound Technology Cambridge Scholars Publishing, Newcastle, UK, 2008.
Braun, Hans-Joachim. Music and Technology in the Twentieth Century. Johns Hopkins Univ. Press, Baltimore, 2002
Evens, Aden. Sound Ideas: Music, Machines, and Experience. University of Minnesota Press, Minneapolis, 2005
Galeyev, Bulat (ed). Prostranstvennaja Musica (Spatial Music). FAN Publishers, Kazan, Russia, 2004
Holmes, Thom . Electronic and Experimental Music: Technology, Music, and Culture (Third Edition). Routledge, New York, London, USA, UK, 2008.
Kahn, Douglas and Gregory Whitehead (eds). Wireless Imagination. Cambridge: MIT Press:, 1992
Kahn, Douglas. Noise, Water, Meat: A History of sound in the Arts. MIT Press, 2001
Weiss, Allen (ed.) Experimental Sound and Radio. MIT Press, 2001

Social Intervention
Nicholas Bourriaud. Relational Aesthetics. 1998
Grant Kester. Conversation Pieces. 2004
Ted Purves. What We Want is Free.
Claire Bishop. Participation
Darren O’Donnel Social Acupuncture
Claire Bishop. “Antagonism and Relational Aesthetics” October (2004)
Claire Bishop. “Social Turn” Artforum (2006)

____________________________________________________________________________

Updated May, 2012 by JPvA. The information on this page is provided with permission from the author. The resources were compiled by Stephen Wilson, Professor, CIA Program, Art Dept, San Francisco State University. For additional resources on artists, organizations, or texts listed in these links see Wilson’s books: Information Arts (MIT Press 2002) and Art,+Science Now (Thames & Hudson, 2010). Copyright, 1999-2009 Stephen Wilson.

PUBA 663 – ARTS and TECHNOLOGY

Spring 2013

Further Reading