Fall 2022 Schedule

Project 1: Engaging Literacies: Sustainability Literacy Narrative

WEEK ONE__________________________________________

Thursday 8/25

  • Class Activities:
    • Course introduction
    • Multimodality in the writing classroom
    • Preview the S-Blog and course website
    • Preparing for the first online assignment
    • Visualizing Sustainability

Online Assignment for Week 1:

    • Reading like a writer: in our first online activity, we will practice describing our own writing and that of others as a series of intentional writerly choices grounded in a clear sense of audience, purpose, and genre that shape the meaning of any given text. A secondary goal is to familiarize ourselves with the blogging platform. Online activities for this week include two core readings and the blogging instructions. Please read each of these items closely and carefully. There is also a brief blogging activity.
  • Readings Due: 
  • Assignment Due: 
    • Blog 1: Reading Like A Writer. Due by 5:00 PM on Tuesday 8/30. In a post of 450 – 500 words, share some of the ways that you applied the tips and tools in Bunn’s essay to Guidi’s essayIn your blog post, be sure to do the following:
      • Use a dynamic title (e.g. not just “blog post 1)
      • Cite quoted evidence from both Bunn and Davis
      • Incorporate media in fitting ways (image or video)
      • Insert at least two links (in this case, at least to the Bunn and Guidi essays would be strong choices, but you can link as widely as you’d like)
      • Conclude by reflecting on where you think you are in your own reflective and “writerly” approach to composition. What do you hope or think your peers would say if asked to read your first blog post “like a writer”?
      • Make sure you use the category “Blog 1” for your blog post. You can assign the category on the right-hand side of the blog composition box. You’ll see the complete list of possible categories.
    • I will use this Blog Rubric (note that it is two pages in the print version, but it will be embedded in oaks) to evaluate your blog posts, and you will have an opportunity to revise this first one.

WEEK TWO_____________________________________

Thursday 9/1

  • Readings Due:
    • Deborah Brandt, “Sponsors of Literacy” (available under “Readings” tab–password protected. See OAKS announcement for the password.
    • Writing an Effective Summary
  • Assignments Due: 
    • Please comment in some detail (100-200 words) on two of your peers’ first blog posts. Just select the two posts that come directly after your published post. If you are the last or second-to-last to post (in that case there will be just one or zero posts after yours) please cycle back to the first of our class posts. just return to the first two posts by selecting the category “Blog 1” from the left-hand side of the website under my contact info, and the first post will be at the top. Don’t just offer general reflections (e.g. “great post, I like your ideas!”). Instead, address the post more specifically. What did you like about their engagement with Davis’s essay? What would you add or what questions would you ask to clarify? What did you like about your peers’ own writing? If there was a previous comment by the professor or another peer, you might engage the ongoing “thread” under the post.

Online Activities for Week 2:

  • Activities: 
    • For this week’s online activities, we will read a selection from Andres Edwards’s The Heart of Sustainability (2015). Using the tips we discussed from the reading on writing an effective summary linked above, you will compose a summary and response blog post in relation to the chapters from Edwards’s book. This will be a great way to practice your summary skills, and also to learn some core concepts from the field of sustainability studies that we will continue to return to and use throughout the semester.
  • Readings Due:
    • Andres Edwards, from The Heart of Sustainability (2015) . Available under “Readings” tab. Password protected. See OAKS announcement for the password.
  • Assignments Due: 
    • Student Info and Goals Sheet
    • Blog 2: Summary & ResponseDue Tuesday 9/6 @ 5:00. 600750 word summary & response related to the the Edwards selection from Heart of Sustainability. Refer to “Writing an Effective Summary” linked earlier in the schedule for Week 2. The bulk of the post should be summary-based, and you should cover the main points of each chapter, writing for an external audience unfamiliar with the text. There are many organizational possibilities for your blog post, but whatever you do, please make sure to use paragraphs to help structure your summary. And please focus on developing meaningful transitions between different parts of your summary rather than simply writing phrases such as “in the next chapter.” Finally, make sure you dedicate at least 1 substantial paragraph in the conclusion for your own response. Please use the strategies we discussed and employed when discussing Brandt’s essay in the previous class. The same blog post rubric used for the first blog assignment will be used for this one. Make sure the post is composed for an outside audience (i.e. unfamiliar with Edwards, so you should introduce him more fully).

WEEK THREE_____________________________________

Thursday 9/8

  • Class Activities:
  • Assignment Due:
    • Please come to class prepared to discuss three possible narrative focal points for your sustainability literacy narrative
    • Sign-up for SLN one-on-one conferences
  • Readings Due:
    • Select the SLN Sample Category Link on the main course website and read each of the 5 narratives. Be ready to discuss 1 that you found particularly compelling in more detail.

Online Activities:

  • Assignments Due:
    • Sustainability Literacy Narrative (SLN) Draft: Due Monday 9/12 by midnight. Please save your SLN as a “draft” (do not “publish”) to the course blog. Experiment with including possible media (images, video, etc.). In addition to discussing the narrative as a whole, we will discuss in our individual conferences how you might use these multimedia elements when you post the final draft to the course blog.

WEEK FOUR______________________________________

Thursday 9/15

This week will include both our regularly scheduled class and one-on-one conferences.

  • Overview:
    • This week, we will discuss strategies for editorial review, and begin work on a more expansive editorial review activity.
  • Readings Due:
    • Richard Straub, “How To Respond–Really Respond–To Other Students’ Writing” (available under “Readings” tab)
    • Writing Tips (note linked readings within page)

Online Activities:

  • Assignments Due: 
    • Provide feedback for your assigned peer-review partner by Friday at 5:00 PM (you will have some time during class to work on the peer review).
    • Due Sunday 9/18 at midnight: “Good Writing”–reply to post

*** Final SLN project posted to the blog by Tuesday 9/20 at midnight ***

Project 2: Sustainability in Professional and Community Contexts: Rhetorical Situation Analysis

WEEK FIVE_______________________________

Thursday 9/22 Assignment Introduction: Project 2: Rhetorical Situation Analysis

  • Readings Due: 
  • Assignment Due
    • As we move from this first unit to the the subsequent units, we will shift our analytical gaze beyond the self to various professional, community, and academic contexts. In your SLN, you concluded by projecting the values grounding your story into your present and future endeavors. Now, you have the opportunity to begin selecting an area of interest in which you will explore ideas and arguments related to sustainability for the rest of the semester.Please be prepared to introduce the class to your chosen emphasis this semester in the the broader field of sustainability and how that interest might filter through various community, professional, and academic contexts. Please also note not just what that area it is, but why it is important to you–or, in other words, how you think it will sustain your interest across the semester.

Online Activities

  • Assignments Due: 
    • Blog 3: Rhetorical and Sustainability Inventory. Due Tuesday 9/27 by midnight. ~ 500 words. Please select an artifact that you might choose for this project (though you can always change) and practice the kinds of analysis we performed in our last class.  Be sure to identify the following by simply replicating this bulleted list.
      • Big Picture: The Rhetorical Situation
        • Context
        • Exigence (exigencies)
        • Audience(s)
        • Constraints
        • Genre
        • Purpose
      • The Details 1: Rhetorical Appeals
        • Character-based appeals
        • Emotional appeals
        • Logical appeals (including possible unstated premises)
      • The Details 2: Sustainability-Based Appeals
        • Economy-based considerations
        • Social Equity-based
        • Environment-based considerations
        • Education
        • Creativity
        • Consciousness
        • Compassion
        • Connection
      • After building your inventory, offer a concluding paragraph in which you discuss the possible argumentative “story” you might choose to draw out from this inventory. Remember, the story you are telling relates to the success or failure (or somewhere in between) of the given argument. Also remember: the best arguments focus most intently on the rhetorical and sustainability-based appeals that have the most interesting, telling, or problematic relationship to their broader rhetorical situation. It’s all about how the details fit into the bigger picture. 

WEEK SIX________________________________

Thursday 9/29

  • Assignments Due
    • In the RSA, you are invited t0 select an artifact to analyze. As we discussed in class, this artifact can be just about anything: a local organization, a website, an article, a photograph, a building. During this class, you might be invited to introduce your artifact to the class and conclude with some ideas about how you plan to analyze it.
    • Please read the three RSA samples as well as the Strategies and Structures handout linked below. That handout just provides more elaborate explanation for the criteria noted on the RSA feedback tool. I will briefly give an overview of the handout, but I want you to be ready to discuss one aspect of your chosen RSA sample in relation to one criteria on the feedback tool.
  • Readings Due: 

Online Activities

  • Assignment Due:
    • By Sunday 10/2 at midnight, please comment on two of your peers’ RSA posts. Just sign in and click on “blog 3” under the category widget on the left and comment on the two that follow your own. If you’re at the end of the line go back up to the start.  Feel free to respond both to the original post and to my own observations to help fill in the rhetorical and sustainability picture for your peer.
    • Work on your RSA Drafts
    • Sign Up for Group Conferences for week 7

*** DUE: First Draft of Rhetorical Situation Analysis due Tuesday 10/4 by 5:00 PM ***

Save as “Draft” on the course blog

WEEK SEVEN_________________________________

Thursday 10/6

This week will include both our regularly scheduled class and one-on-one conferences.

*** Due Tuesday 10/11  on course blog by midnight: Rhetorical Situation Analysis (RSA) Final. ***

Project 3: Exploring the Disciplines: Disciplinary and Interdisciplinary Academic Conversations

WEEK EIGHT___________________________________

Thursday 10/13 — Mid-Semester Research Week

We will meet in the our regular class space  for active and engaged library research time with our dedicated research librarian. Please bring laptops.

Research Consultations on Tuesday 10/18: sign up via link

Research Progress Reports are due Monday 10/17  by midnight

WEEK NINE____________________________________

Thursday 10/20

  • Activities
    • In class RPR roundtable
    • Research Consultation Conferences: from Tuesday through Friday, we will be meeting individually (15-minute sessions) to discuss Research Progress Reports in more detail.
    •  DIAC Strategies and Structures
  • Readings Due: 
  • Assignment Due:
    • Sign up for Research Consultations
    • In class be ready to briefly present your Research Progress Report to class. I won’t call on everyone, but will instead choose 3-4 students to share. You don’t need to cover everything. Instead, just present your initial topic, briefly introduce two of your favorite sources, try to describe the “discipline” or disciplines engaging in this conversation, and let us know how the research process has helped you focus your research topic, noting in particular the key triumphs and tribulations so far. Finally, end with your current research question.

Online + Individual Conferences

  • Assignment Due:
    • Blog Post 4–Due Tuesday 10/25 by midnight: Journal Article Summary & Review, approximately 500 words. For this assignment, you will select a peer-reviewed article that you intend to include in your DIAC and offer a concise overview of it. Be sure to introduce your author and their field or area of specialty (establish their ethos), offer a big-picture overview of the article, set up and integrate a well-chosen quote (refer to the “Four Levels of Quote Integration” handout), and attend to important details as well (key findings, methodology, how the results were determined).
    • Please also think of ways that you can engage the source analytically (both positively and negatively). Be sure to maintain the summary frame (using attributive tags like “as Evans argues…”) so as to more clearly distinguish what the article says and what you say by way of explaining the article.
    • Refer to the handout from earlier in the semester: Writing an Effective Summary
    • As you summarize your article, make sure you cover all of the key moves represented in the CARS model to introduce the broader disciplinary discourse in play. CARS stands for “Creating a Research Space, and this is most likely something that all your sources do quite explicitly. Following the CARS model will help you understand what you look for as you introduce your source. Specifically, your summary should indicate how the article establishes its territory, identifies a niche, and how to will attempt to fill that niche.

WEEK TEN____________________________________

Thursday 10/27

***Submit complete DIAC Drafts to the DIAC category by Tuesday, 11/1 by midnight

WEEK ELEVEN____________________________________

Thursday 11/3

Online + Individual Consultations

  • Activities and Assignments Due:
    • Attend Individual Consultations Wednesday – Friday.
    • DIAC Peer Review Responses are optional. Please let me know if you would like to participate.

*** DUE: DIAC Finals due on the blog by Friday 11/11 by midnight by midnight ***

Project 4: Engaging New Audiences: Genre Remix

WEEK TWELVE_________________________________

Thursday 11/10

  • Class Activities: 
  • Assignments Due: 
    • Sign up for optional individual consultations next week to review progress on remix projects. I’m also happy to set up a time this week to meet outside of office hours, though there’s not formal sign-up sheet this week.

Online

  • Assignments Due: 
    • Blog 5: Genre Proposal Posts–Tuesday 11/15 by midnight: In a post of 400-500 words, please post a “genre pitch” to the course blog. You can view this as a preliminary draft of the reflective and analytical essay that will accompany your remediation project. In your post, please accomplish the following:
      • First describe the materials you’re working with as it relates to your DIAC, RSA or some other project.
      • Second, identify the genre in which you plan to compose and the audience for your remediation; make sure the exigence and audiences for your remediation are clear.
      • Third, identify relevant constraints, including those related to the broader historical or cultural context and audience, that you anticipate. You might also address constraints that you will face (technical skills, additional research required, etc.).
      • Fourth, in addition to your specific genre pitch, provide a brief genre overview that notes the “moves” and “steps” that the genre, as you see it, encourages authors to make. If you plan to tweak the genre in any way, please indicate both how and why you might do that.

WEEK THIRTEEN____________________________________

Thursday 11/17

Online and Consultations: 

  • Activities:
    • Sign up for conference times to discuss remix progress (pre- or post-Thanksgiving)

*** Draft of ReMix Projects Due on the Blog by midnight on Tuesday 11/21 ***

Project 5: Sustainable Futures Narrative

WEEK FOURTEEN_________________________________

11/23 – 11/27: Thanksgiving Break!

  • Online Activities:
      • Sign Up for Final Conferences pre or post thanksgiving. We can discuss your Remix draft, ideas for the narrative, and revision opportunities.

WEEK FIFTEEN__________________________________

Thursday 12/1: Final Day of Class! Final Remix Projects Due at Start of Class

  • Class Activities:
    • Digital Presentation Showcase: Rather than staging a series of miniature presentations, we will let the blog function as our digital showcase. We will have time to peruse final projects, looking through 3-4 of them quite closely. Then, we will spend 15-20 minutes sharing our reactions to the projects–what struck us, what we found particularly interesting, any foll0w-up questions that we might have.
    • Consider submitting an essay or remix project for the First Year Writing Awards.
    • Revision, Again
    • Project 5: Sustainable Futures
    • C-I Evaluations

*** Final Remix Project Drafts Due at Time of Conference  ***

*** Final SFN Narratives and Revisions are Due on the Blog Tuesday, 12/8 by 5:30 (end of final exam time) ***

 

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