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Sharing Lowcountry LGBTQ History

Posted by: Julia Eichelberger | July 21, 2020 | No Comment |

On July 13-17, C of C Special Collections hosted an LGBTQ Wikipedia Edit-A-Thon. Using sources made available on the project’s LibGuide, participants expanded Wikipedia articles on Linda Ketner, John Martin Taylor, Alliance for Full Acceptance, the Candlestick Murder, C of C’s own Book Basement, and more. Watch this video to find out about some of the materials that are being collected by the LGBTQ Life in the Lowcountry project, and take a video tour of the city with Harlan Greene, the director of the project (also a novelist, historian, and fantastic tour guide). In this video he takes viewers to some sites that are on a Special Collections online tour called The Real Rainbow Row: Charleston’s Queer History. We also get to hear from Rebecca Thayer, Catherine Stiers, and Brandon Reid about what they’re learning from the archival materials they are processing and interpreting.

Congratulations to Special Collections and all the participants in this project. All of us who study the history and culture of Charleston and the Lowcountry will benefit from having all this new material available. As Harlan said at the end of his video tour, “And you know what? There’ll be monuments to Charleston’s LGBTQ history on the streets yet.” Thanks for bringing us closer to that day!


under: Uncategorized

Say Their Names

Posted by: Julia Eichelberger | June 9, 2020 | No Comment |

C of C’s Program in Southern Studies shares the outrage and sorrow that our community, nation, and world are now expressing in response to the murder of George Floyd and the systemic racism tragically highlighted by his death. We grieve with the families of George Floyd, Breonna Taylor, Ahmaud Arbery, and a host of other victims of racist violence. We stand with all who protest these murders and who demand change in policing and law enforcement practices.

Black citizens and Southern studies scholars know that these recent crimes, along with the militarized repression of some protests, are nothing new. Systemic racism was a defining principle in the creation of South Carolina. Thousands of captive Africans who survived the Middle Passage were sold in the city of Charleston. After the Confederacy failed in its goal of maintaining slavery, its leaders designed a postbellum South that required and revered white supremacy. Against this backdrop of trauma and violence, African-descended people created communities, families, social structures, and cultural traditions that now define the region.

None of the things we cherish about the South–our landscapes, our literature, our built environments, our music, our foodways, our religious traditions, our proud history of civil disobedience–would exist without Black labor, creativity, ingenuity—without Black lives.

Within our lifetimes, this city built by slave labor and this College founded to perpetuate a white male elite have made important progress, but we have far more work to do. We are not yet the just and equitable community and the inclusive College that our citizens deserve.

As scholars, teachers, and citizens, we commit ourselves to saying the names of those who have been lost in recent days. We also honor the lives and stories of the many thousands gone, the ancestors whose guidance we need to repair our region. We will seek out and tell the full stories of the South’s complex history. We will call out white supremacy in its many forms, visible and invisible, so that we may begin to dismantle structural racism. If we hope to create true community, we must listen to Black voices and fight for Black lives.

Julia Eichelberger

Director, Program in Southern Studies

Crowd marching past Harmon Field with hands raised

Day 5 of nationwide protests. 2nd protest of day on June 3, 2020, in downtown Charleston.


Marchers on Jonathan Lucas Street

Demonstrators cross Medical University campus, filling sidewalk along Jonathan Lucas Street, 6/3/20.


Demonstrators sit at Colonial Lake

Period of silence at Colonial Lake before demonstration moves to Marion Square, 6/3/20.


under: C of C Program in Southern Studies, Charleston, Charleston History, Politics, Racial Disparities, SC, Social Activism in the South, Uncategorized
Hadshot of Jillian Hinderlier

Jillian Hinderliter

Guest Post by Jillian M. Hinderliter, Pearlstine/Lipov Center Research Fellow and PhD Candidate in History, University of South Carolina

In late October 1975, the Papmobile rolled into the parking lot of the Edisto and Orangeburg plants of Greenwood Mills. Female textile employees could take advantage of this “gynecologist’s office on wheels,” for pap smears and breast and pelvic examinations carried out by specially trained nurses. The Papmobile, emblazoned with the words “American Cancer Society” and “Medical University of South Carolina,” offered free pap tests and other screenings in an effort to reduce deaths from breast and uterine cancers.[1] Plant managers across eastern South Carolina could request the Papmobile visit their operations, as could churches and colleges.[2] In November, the Papmobile visited Francis Marion College and the Florence-Darlington Technical College. Newspaper articles heralding the arrival of the Papmobile stressed that no appointments were necessary, and all women could utilize its services.[3]

Newclipping from 1975 announcing Papmobile

Newspaper coverage of the Papmobile in Orangeburg, SC, 1975

By 1976, the board of the National Council of Jewish Women (NCJW), Charleston Section recommended the purchase of a projector and educational film for the Papmobile that could teach women about breast self-examinations.[4] Although the NCJW Charleston does not often appear in histories of the women’s health movement, I believe that its support of local women’s health initiatives connects its members to broad networks of activists who called for feminist revisions to women’s health care in the late twentieth century. While the history of the women’s health movement often focuses on organizations with national reach or reputation such as the Boston Women’s Health Book Collective (authors of influential health manual Our Bodies, Ourselves), there is also a great deal of women’s health history to be discovered in the records of local and regional women’s organizations.[5]

Beginning in the 1960s, activists of the women’s health movement widely critiqued misogyny and sexism in American medicine. They worked to redefine the relationship between women and their doctors, their bodies, and their health policy makers. Activists called for accessible health information, feminist clinics, greater access to formal medical education for women, stronger standards for informed consent, and much more. The cause was also shaped by Jewish women, as they were remarkably prevalent among the founders of the women’s health movement and the women’s movement at large. Influential health journalist and activist Barbara Seaman wrote that eight of the twelve founders of the Boston Women’s Health Book Collective were Jewish, as were four of the five founders of the National Women’s Health Network, a women’s health advocacy organization based in Washington, D.C.[6]

Yet, this is not only a story of Jewish women impacting women’s health reform through secular feminist avenues and organizations. I believe that long-established Jewish women’s organizations formed another access point for Jewish women to participate in the women’s health movement, often by adapting their women’s health messaging and approach to meet local needs. This past January, I had the opportunity to spend two weeks exploring Charleston’s robust history of Jewish women’s activism and I began to discover how Jewish women’s organizations complicate the history of women’s health activism on the local level in this period. Rather than showing the evolution of women’s health initiatives though secular organizations alone, the archival records I found in Charleston suggest that women’s health activism in the South was also advanced by Jewish women’s organizations shaped specifically by Jewish social justice values. For historians to create a fuller record of the women’s health movement in the United States, we must understand how activists could be compelled by a multitude of social justice traditions.

Hinderliter on front porch of KKBE

Hinderliter at Kahal Kadosh Beth Elohim, Hasell Street, Charleston, SC

As a Charleston Research Fellow supported by the Pearlstine/Lipov Center for Southern Jewish Culture, I turned to the records of organizations such as the NCJW Charleston Section, synagogue sisterhoods minutes, and personal papers for narratives of health organizing. Dr. Dale Rosengarten and the supremely helpful staff at Addlestone Library’s Special Collections also directed me towards family histories and oral history interviews which showed the diversity of health initiatives in Charleston. Though regional narratives are often overlooked in broader histories of women’s organizing, I am determined to include southern Jewish women in my doctoral dissertation, “Patients’ Rights, Patients’ Politics: Jewish Activists of the U.S. Women’s Health Movement, 1968–1988.”

Among the collections I accessed, I was particularly interested in the records of Charleston’s NCJW in the 1970s and 1980s, as some council chapters vocally supported reproductive rights and issues like the Equal Rights Amendment. Before visiting the archives, I learned that Janice Karesh represented the Charleston Section in 1969 during a subcommittee hearing of the Senate Judiciary Committee in Columbia considering the liberalization of abortion laws in South Carolina. “I feel that no woman should be forced to bear a child at the expense of her own life or at the expense of the health of her other children,” Karesh said in her testimony. She added that a woman should not be forced to carry a child “conceived in hate – for that is what rape is.” The bill, introduced by state senators Hyman Rubin and Frank Owens, would extend abortion access on the grounds of “substantial risk” to the physical or mental health of the mother or child and permit abortion in cases of rape, if the assault was reported within seven days. A panel of three physicians would have to certify that an abortion was necessary.[7]

Though I am still working through my research from January, I see evidence that Jewish women’s organizations in the Charleston area like the NCJW took on women’s health as a key feature of their activism by the 1970s. While it can be difficult to identify the full extent of NCJW Charleston’s views on the issue of reproductive rights before Roe v. Wade, some members were publicly backing a more liberal abortion law in South Carolina. Based on the copies available in the archive, it seems that the NCJW Charleston Section’s newsletter, The Councillor, rarely used phrases common in the women’s health movement such a “taking our bodies back” or “demystifying” the body. Nonetheless, their continued investment in women’s health is evident in their support for a rape crisis center and the work of the “Papmobile.”

The women’s health services supported, at least in part, by the NCJW Charleston in the 1970s addressed issues central to the work of women’s health activists nationwide. The crisis center “People Against Rape” provided a number of services to women including counseling by center volunteers who were trained by a psychologist. The Councillor called for volunteer counselors and interested NCJW members to fill support roles for the rape crisis center.[8] The board’s recommendation to purchase an educational film on breast self-examinations for the Papmobile in 1976 suggests that the leadership of the NCJW Charleston supported women’s increased access to health information and a deeper understanding of their own bodies.[9] While breast cancer awareness is essential to this purchase, we should not overlook the importance of self-help in the revisioning of American medicine advanced by the women’s health movement.

In the twentieth century, the NCJW Charleston had a long history of supporting services for patients with health issues like tuberculosis and diabetes. They also organized events such as Tay-Sachs screening drives to help meet Jewish community health needs. Their support for women’s health programs in the 1970s is part of this extensive organizational tradition. The archival and oral history collections at the College of Charleston provide a vital link to this aspect of southern Jewish women’s history. My fellowship at the Pearlstine/Lipov Center for Southern Jewish Culture helped me connect with Charleston’s remarkable history of Jewish women’s activism. I look forward to including the NCJW Charleston and other Jewish women’s organizations in my dissertation and exploring how their southern stories nuance the history of women’s health in the United States.


[1] “Papmobile Offers Free Examinations,” The Times and Democrat (Orangeburg, SC), October 31, 1975.

[2]  Bonnie Pleasants Dumas, M. Clinton Miller III, Paul Underwood, Jr., et al., “The South Carolina Papmobile Program: A SAS Application,” SAS Conference Proceedings: SAS Users Group International ’79 (SUGI 1979),

January 29–31, 1979.

[3] “Papmobile to Visit Area,” Florence Morning News (Florence, SC), November 25, 1975.

[4] The Councillor Newsletter, February–March 1976, p. 7. National Council of Jewish Women Charleston Section records (Box 4, Folder 8), College of Charleston Libraries, Charleston, SC, USA.

[5] For an excellent study of Jewishness and the Jewish founders of the Boston Women’s Health Book Collective, see Chapter 4 of Jewish Radical Feminism by Joyce Antler (New York: NYU Press, 2018).

[6] For these statistics, see Barbara Seaman, “Health Activism, American Feminist,” Jewish Women: A Comprehensive Historical Encyclopedia. March 20, 2009. Jewish Women’s Archive. https://jwa.org/encyclopedia/article/health-activism-american-feminist

[7] Al Lanier, “Abortion Law Change Pushed; Only One Witness Opposes S.C. Plan,” The Greenville News, March 13, 1969. Note: In the newspaper article, she is listed as “Mrs. Irwin Karesh.” I learned of Mrs. Karesh from Dr. Jennifer Gunter’s dissertation Sex and the State: Sexual Politics in South Carolina in the 1970s (University of South Carolina, 2017).

[8] The Councillor newsletter, July–August 1975, p. 5. National Council of Jewish Women Charleston Section records (Box 4, Folder 8), College of Charleston Libraries, Charleston, SC, USA.

[9] The Councillor newsletter, February–March 1976, p. 7. National Council of Jewish Women Charleston Section records (Box 4, Folder 8), College of Charleston Libraries, Charleston, SC, USA.

under: Charleston, Health Care, Research Projects, SC, Social Activism in the South, Southern Jewish History, Women's Organizations

In the surreal season of COVID-19, students are continuing to study the South from their computer screens and kitchens. When C of C sent everyone home in March, Honors Southern Studies students completed a short paper on Southern foodways. Instead of eating at a restaurant, most of them ate a take-out meal from a restaurant they considered Southern, or cooked their own Southern meal, using recipes from Charleston Receipts, a regional/local cookbook, or another demonstrably “Southern” source. It was up to them to demonstrate the “Southernness” of their meal, using articles we’d already studied in Southern Cultures.[1]

One student, Megan, actually made it into a Cracker Barrel before they closed, while another, Kathleen, described picking up her take-out from The Collonade in Atlanta “just before they closed their doors for the next few weeks. After walking into the restaurant, driving home, and setting up my meal, I felt like the smell of the fried chicken, mac and cheese, and green beans stuck to my clothes.” Kathleen and Megan both noticed Native American food traditions reflected in menus for their restaurants.

Megan and Kathleen, March 2019

Eating take-out BBQ in Charlotte gave another student a chance to reflect on Southern food in a region and country he’s only lived in for a few years. Alex wrote, “A characteristic about southern food that I have come to understand in my short time here, is the idea of family/ community and the concept of big group dinners. This was very apparent while I was looking through Bobbee O’s BBQ menu and realized that the options included large portions, mostly for sharing.” To fully experience this tradition, Alex had a meal with four meats (pulled pork, ribs, fried chicken, beef brisket), and four sides (fried pickles, macaroni and cheese, hushpuppies, and a cornbread muffin).

Alex contemplates his BBQ

Some of the chicken sandwich

Another student ordered a fried chicken sandwich from Boxcar Betty’s. Jacob made a case for this dish being traditionally Southern by describing in mouthwatering detail the “classic Southern flavors going on—some signature Southern heat in the mayo and pimento cheese, tempered by the sweetness of the peach slaw–amplified by the variety of textures: crispy chicken breading, creamy pimento cheese, crispy coleslaw. The sandwich is a good example of the holistic palette of Southern cuisine. While the South is often known for . . .  spiciness, sweetness, and unashamed butter usage. .  .a meal often contains a multitude of these different flavors at once.” This was “a new spin on Southern food” that “still retains the familiarity of quintessential Southern cuisine.”


Students like Margaret who cooked their meal drew upon family memories; she even had some help in the kitchen from both her parents. Her dad’s participation helped her explain a concept from one of our assigned readings: “The article defines locavorism as the belief that food from local producers is better than food from large corporations, and . . . what makes foods taste the way they do is the stories behind them.  When I was grocery shopping with my dad . . . he was visibly upset that we had to buy collard greens and black eyed peas from Harris Teeter instead of any of the nearby farmers markets, all of which were closed due to COVID-19.  Fortunately, we were able to find the grits we normally use . . . . which are produced at a family-owned mill in Edisto Island, and, as my dad says ‘are the only kind of grits worth cooking’ . . .The pot I used for the collard greens belonged to my great-grandmother, and the recipe I followed for the pecan pie was shared with my mother–along with dozens of other family recipes–by her mother on the day she graduated from college.”

Margaret stirs grits and shares a recipe from her mother’s collection.

Holden wrote that cooking his meal took him back to his childhood.  “I still have memories of sitting on the spiral staircase in my great-grandparents’ house, listening to my great-grandmothers in the kitchen cooking. Eventually I would hear my great-grandfather call ‘Rooster (that was my nickname), go help Mona and Mawmaw in the kitchen. Go on now, boy.’ I would run to the kitchen and was given the job of stirring the peas or the potatoes. The smells of the meal and the hustle and bustle from one thing to another in the kitchen brought back vivid memories, and I found myself smiling often.” Holden noted the dishes he prepared tasted “pretty good” but “nothing compared to how my great-grandmothers used to make it.”

Holden prepares cornbread.

Catherine explained that she chose to make peach cobbler because of “living in a suburb of Atlanta called Peachtree City and listening to my dad’s stories of highschool summers spent working in Edgefield’s peach packing sheds.” She often ate the dessert “at my Grandma’s house after long days spent playing with my cousins in the yard” and now was cooking it for herself. “I was nervous putting it in the oven because the recipe seemed to be calling for wildly too much butter, but it certainly turned out delicious because of it.” Catherine also made a batch of biscuits, “because my Great Grandmama Sanders’ biscuit recipe, taught to me by my Grandma, is extremely special to my family. . . .  I have never been to a Sunday dinner, Thanksgiving, lunch or breakfast at my grandma’s house that we didn’t have a side of biscuits.”

Catherine’s grandmother’s biscuits

Catherine’s meal

These Honors students really came through with their cooking and eating and writing skills, and they compelled me to get some takeout fried okra from Gillie’s Seafood on James’ Island. (Can’t recommend that highly enough.)

Please wash your hands now, then put a pot of beans and rice on the back burner. Maybe add a can of Ro-Tel or a chopped onion, and throw in something greasy–chef’s choice. Sure, those dried beans are going to take hours to cook, but right now, we’ve got that kind of time.


[1] If you’re interested, you can go online to read foodways articles on the Southern Cultures website. They’re all great reads, but I especially enjoyed Bruce Baker’s article on blackberries; Bruce used to work as our office admin in the English Department before he went off and became a famous historian, and I used to pick blackberries as a child the same way he did, and this is just a cool article, showcasing our region’s complex social history. My students were especially interested in Mother Corn and the Dixie Pig by Rayna Green and Theodore Peed’s Turtle Party by Bernard Herman.


under: C of C Program in Southern Studies, Courses, Foodways, Students

They Persist: Southern Women Writers and Artists Taking Up Space

Posted by: Julia Eichelberger | February 17, 2020 | No Comment |
Drawing by Minnie Evans

Untitled drawing by Minnie Evans, mid-20th century. The Johnson Collection.

On February 19, the Gibbes Museum presents “She Persisted: Women of Letters and the American South.” Authors Michele Moore and Nikky Finney will share with me some of their experiences as writers. This post contains a longer version of my remarks for this event, placing these writers’ work in a larger context of Southern women writers.

This event coincides with the exhibit now at the Gibbes, Central To Their Live: Southern Women Artists in the Johnson Collection. These works were created despite barriers many faced: lack of access to formal training; lack of opportunity to create; racism, sexism and other historical or biographical circumstances that took over the lives of so many Southern women. Nevertheless, these artists persisted.[1] They drew; they painted. They carved sculptures; they carved out time and space to hone their craft, to develop a personal artistic style. They found ways to preserve and exhibit their work, and many found ways to make a living as artists.

Watercolor painting

“Along the Beach,” Alice Ravenel Huger Smith. The Johnson Collection.

Women in this era ventured outside their homes, once considered the only proper place for women to create art, and painted in plein air, producing startling landscapes like “Along the Beach” by Alice Ravenel Huger Smith. They documented women doing non-domestic work, such as Wenonah Day Bell’s “Peach Packing” painting. Others produced monumental portraits of activists, such as the grand, four-foot-tall portrait of Madeline McDowell Breckenridge (a Kentuckian who advocated for women’s suffrage), by Ella Sophonisba Hergesheimer. Abstract art also commanded attention using form and color, such as Mary Alice Leath Thomas’s “Red, Gold and Black,” 4 feet tall. Other artists use detail to compel the viewer to look more closely, like Minnie Eva Jones Evans.  Some writers created smaller-scale portraits and sculptures that carried concentrated power: a factory worker (“War Worker”) by Elizabeth Catlett; a solemn young African American boy, “Gamin,” , by Augusta Christine Fells Savage; Anna Vaughn Hyatt Huntington’s powerful and relaxed “Yawning Tiger.”

Painting by Mary Thomas

“Red, Gold, and Black,” Mary Alice Leath Thomas. The Johnson Collection.

Painting of women sorting peaches

“Peach Packing, Spartanburg County,” Wenonah Day Bell. The Johnson Collection

This art takes up space,[2] and not just because the works are beautiful. Collectively, these artists challenge conventional notions of femininity and power. They reveal Southern experiences and landscapes that were being overlooked in the twentieth century. 21st-century women artists face their own challenges, but they can take inspiration from these artists who preceded them.

In the same era as these visual artists, Southern women writers critiqued conventional notions of Southern womanhood, social class and race. When considering Southern literature from this era, we may first think of William Faulkner, whose landmark modernism challenged conventional modes of storytelling and conventional stories about the South, dismantling the myth of an idyllic Old South. Faulkner’s work also interrogated his readers’ notions of manhood, womanhood, race and social class, suggesting that these are socially constructed rather than permanent and essential elements of a human being. In this regard, some earlier southern women writers like Kate Chopin were actually ahead of Faulkner, and women like Katherine Anne Porter and Zora Neale Hurston, writing at the same time as Faulkner, were offering their own critiques of social constructs that their characters sought to transcend.

Cover of The Awakening by Kate Chopin

First edition of The Awakening, 1899

Kate Chopin’s fiction won praise in the late 1800s for capturing daily life in northwestern Louisiana, but also drew criticism for her frank treatment of topics considered improper for polite society–interracial relationships, and women refusing traditional female roles. Chopin’s 1899 masterpiece, The Awakening, was called “sordid” and “vulgar” because its heroine valued sensual fulfilment found in an extramarital affair, and longed to express herself creatively even when that required abandoning her role as a wife and mother.

Katherine Anne Porter, who lacked the financial security that surrounded Chopin all her life, began publishing fiction in the 1920s. Her characters included a farm woman struggling to care for a mentally disabled son, a hardworking wife and mother whose long life was now slipping away, a young girl struggling to understand birth and mortality.  Porter’s stories challenge the toxic myth that white Southern women were asexual, fragile “ladies” that white Southern men must protect in order to maintain white supremacy.

Also during the 1920s, Zora Neale Hurston studied anthropology and began documenting African American lives, including the all-black town of Eatonville Florida.  Many of Hurston’s female characters lacked access to the education Hurston had managed to obtain, and are hindered by racism and by sexist assumptions that good women obey and defer to men. Hurston’s 1936 novel Their Eyes Were Watching God disproves this assumption through the journey of its protagonist, who ends the novel alone and at peace, commanding her landscape:

She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.

photo of Zora Neale Hurston

Zora Neale Hurston

Photo of Eudora Welty

Eudora Welty, 1946

During the 1940s, Hurston’s fortunes began to decline, but another writer’s career was taking off. Eudora Welty wasn’t rich, but had enough financial security to write for years before earning any royalties. Many publishers initially rejected her short stories, and nevertheless, she persisted—as did her loyal and well-connected literary agent. Welty’s published fiction, ranging from humorous to lyric to tragic, was always stylistically innovative. The women in Welty’s works are often judged and acted upon according to conventional notions of womanhood, race, and social class. Often it’s women who impose these conventional limitations on one another, as in a story about a woman working ceaselessly in her flower garden while her neighbors look disapprovingly from their upstairs windows. She gardens

without any regard for ideas that her neighbors might elect in their clubs as to what constituted an appropriate vista, or an effect of restfulness, or even harmony of color. Just to what end [she] worked so strenuously in her garden, her neighbors could not see. . . .

A garden, for Welty, was a place of discovery, an emblem of the creative imagination; she and her mother loved the garden of their upper middle-class home in Jackson, Mississippi. Gardens were also important for women struggling just to make ends meet, as Georgia-born writer Alice Walker noted in an essay called “In Search of Our Mother’s Gardens.” She described her mother’s ability to grow flowers “as if by magic,” despite having to work in the fields and care for her family. Walker wrote,

It is only when my mother is working in her flowers that she is radiant, almost to the point of being invisible-except as Creator: hand and eye. She is involved in work her soul must have. Ordering the universe in the image of her personal conception of Beauty.

Painting of artist's studio

Theresa Pollak, “Art Studio.” The Johnson Collection.

In these writers’ works, Southern women often persist despite being hemmed in by poverty, racism, sexism, or loneliness. Women create their own gardens, like the studio depicted in Theresa Pollak’s painting–places where they can take up space and transform it.

At the Feb 19 event, we’ll hear from two Southern writers who are part of this larger landscape of women writers and artists.  Both Michele Moore and Nikky Finney have told stories about the South that, I believe, have not been told often enough. Some readers may assume that women writers explore familial and domestic situations, but Moore and Finney’s works demonstrate how much the political and the public can influence, and sometimes invade, the personal and the private.

Photo of Nikky Finney

Nikky Finney, John H. Bennett Chair in Creative Writing and Southern Letters, U of South Carolina

Cover of book, Love Child's Hotbed

Love Child’s Hotbed of Occasional Poetry

Nikky Finney’s prize-winning poetry shows us the constant interplay between the inner lives of her Black subjects and the public world that often menaces them, a society whose past crimes haunt and animate the present day. The speakers in Finney’s poems operate against a backdrop of relentless racism, sexism and homophobia that is both systemic and personal. Nevertheless, the speaker’s interior consciousness persists, not defined by those who would harm or exploit them. Finney’s poems create astonishing moments of quiet lyric space, a sanctuary that coexists with the sinister powers that threaten Black bodies. With care and great power, Finney’s work documents the collective histories of our region and the personal histories of Black family members who have survived and even thrived.

Cover of novel, The Cigar Factory

The Cigar Factory

Photo of Michele Moore

Michele Moore

Michele Moore’s 2016 novel The Cigar Factory demonstrates that Charleston has always contained more than wealthy white aristocrats and the very poor. The stories of Charleston’s middle class and working class residents have rarely been fully told, but in this novel we follow 40 years in the lives of families who work at the cigar factory. Both Catholic, but of two different races and separated at work, they don’t know each other for most of the novel. Not only does The Cigar Factory tell the story of the workers who formed an interracial alliance during the 1940s, but it also lets us hear their voices, so much alike at times that readers may wonder whether it’s the African American or Irish American characters who are talking.

May the persistent solidarity of these women move and inspire us, in our own time, to take up space together, forming alliances across races, classes, and sexual identities.


Portrait of Madeline Breckenridge

Portrait of Madeline McDowell Breckenridge by Ella Sophonisba Hergeshiemer. Breckenridge, from Kentucky, was a women’s suffrag advocate. The Johnson Collection

Central to their Lives will be at the Gibbes Museum through May 3. The Gibbes is free on Wednesdays 4-8 PM to students with a valid ID.

A play adapted from Michele Moore’s The Cigar Factory will be performed February 21 and 22.

Nikky Finney’s latest book, Love Child’s Hotbed of Occasional Poetry, will be released in April, but copies will also be available for purchase at the February 19 reading.


[1] Read about the origins of “Nevertheless, she persisted.”

[2] Read one woman’s comments on the way she claims her own space in a world where “women have not been socialized to take up space.”

under: Uncategorized

Teachers Can Turn This Thing Around, Y’all

Posted by: Julia Eichelberger | February 9, 2020 | No Comment |

The College of Charleston will be hosting the All Y’all Social Justice Collective July 8-9, 2020. One of the organizers, Adam Jordan, is now in his second year teaching in C of C’s Department of Teacher Education. Adam and his All Y’all colleagues describe the summer event as “a two-day professional learning series that is open to all educators, community members, students, and anyone who wants to improve the schooling experience in the Southeast region of the U. S.” Doesn’t that include all of us who read this blog? I think so. All Y'all Social Justice Collective logo of 3 raised fists

This workshop is free to all–a boon especially to those teachers who receive no funding for professional development they’re required to complete for their licensure. This year’s theme is Addressing Inequities in Southern Public Schooling:  Our Past, Present, and Future. Do you know a teacher or a prospective teacher or concerned member of our community who might be interested in attending? Register here now!  Do you think you’d like to present something at this conference? The call for presentations, due April 5, can be found here. Contact Adam at jordanaw@cofc.edu or find @aj_wade on twitter to learn more.

photo of Adam Jordan

Adam Jordan

You may have heard of the All Y’all Social Justice Collective if you read the Bitter Southerner. Adam Jordan and Todd Hawley write for this publication, and the Bitter Southerner is selling red T-shirts (“Teachers can turn this thing around”)  to benefit the Social Justice Collective’s tuition-free program.

Adam told me recently that he’s now launched a blog, Mouth of the South. His first Mouth of the South column discusses his upbringing in rural Georgia, inspired by good teachers–educators in the classroom, but also the bus driver, whose daily goodbyes he recalls fondly. “The last ones off, she’d make sure to remind us to ‘Let the wind-ers up’ in a beautiful accent I now long to hear.”

His most recent column invites readers to share their own experiences in the South, “We need your words,” he tells his readers (that’s us!).

“The South we know is filled with folks that argue over their grits, their gravy, their biscuits, their tofu, and their shakshuka.  It is a place where people wrestle with the legacy of this place, a legacy rooted in pain and oppression, while simultaneously embracing the proud points of our collective heritages.  So too must the stories that show up on these pages.  Please, share your voices.”

Proud to know you, Adam. Keep sharing your voice.



under: Faculty, K-12 Teachers, Racial Disparities, Social Activism in the South

Isaac Harby, the Election of 1824, and the Rise of Andrew Jackson

By Daniel Gullotta, Research Fellow at Pearlstine/Lipov Center for Southern Jewish Culture, October 2019

photo of author

Daniel Gullotta

In Dinesh D’Souza’s 2018 “documentary” Death of a Nation, the political provocateur sat down with white nationalist and Alt-Right figure Richard Spencer to discuss American history. In the interview, D’Souza asked Spencer who his favorite president was, and he responded, “There’s something about [Andrew] Jackson.” D’Souza was quick to point out that Jackson was the founder of the Democratic Party, as if it were a gotcha moment on tape. Spencer shrugged. Because of my interest in Jackson and my research on how religion shaped his voters and the rise of the Democratic Party, this interview was sent to me by a colleague for comment. While it was another sign of Jackson’s decline in public reception, it did strike me as interesting (and a little funny) that an anti-Semite and white supremacist like Spencer would pick Jackson as a hero—Jackson, who was notably popular within Jewish circles in the early Republic.

Oil painting of Andrew Jackson

“General Jackson in 1819,” John Wesley Jarvis. Metropolitan Museum of Art.

silhouette of Isaac Harby

Silhouette of Isaac Harby

While sources related to Jewish political activity in the Age of Jackson are limited, one key figure is Charleston’s Isaac Harby. Best known today as an innovator of Reform Judaism, Harby was more famous then as a contributor to and editor of several newspapers, including the Southern Patriot, City Gazette, and Charleston Mercury. Harby wrote several pieces in favor of Jackson under the pseudonym “Junis.” Knowing that significant papers relating to Harby are housed in the College of Charleston’s Jewish Heritage Collection at Addlestone Library, I was delighted to receive a fellowship from the Pearlstine/Lipov Center for Southern Jewish Culture to continue my research into Harby’s alliance with the Jacksonian coalition and the role Jews played in helping form what we know today as the Democratic Party.

Upon arriving in Charleston, my first instinct was to study everything and anything pertaining to Isaac Harby. Among Harby’s papers were the handwritten drafts of his writings supporting Andrew Jackson for president. Harby lauded Jackson’s war efforts during the Battle of New Orleans (1815), characterized Jackson as the true heir of Thomas Jefferson, and defended the more worrisome elements of Jackson’s character, such as his invocation of martial law and his illegal invasion of Spanish Florida. While the bulk of the original texts are identical to what was published, it seems that Harby had to reign in his gushing for Jackson. Much of the praise Harby heaps onto Jackson was cut, and I speculate this was done to present a humbler image of the candidate or maybe to present the author as a more objective observer of the presidential race. While I discovered no startling new document, it was remarkable to see Harby’s unfiltered praise for Jackson on full display.

Image of manuscript written by Harby

What struck me most was the anti-northern, anti-Adams, and anti-abolitionist aspects of Harby’s writings. Though I had read these documents over and over again, perhaps it was being in Charleston—in the South—that made me pay attention to Harby’s relationship with slavery. With the help of Dr. Dale Rosengarten and reference archivist Sam Stewart, I was able to connect more of the dots, including Harby’s reporting on the aborted slave revolt led by a Denmark Vesey in Charleston in 1822. Scholars debate how real or imagined the slave revolt was, but even a threat of rebellion was enough to terrify white Southerners. Harby’s City Gazette described Vesey’s plot as “a scheme of wildness and of wickedness” and blamed the “poison” of anti-slavery politicians following the Missouri Comprise in 1820.

Newspaper ad for runaway slave

Andrew Jackson offered fifty dollars for this enslaved man’s return, “and ten dollars extra for every hundred lashes any person will give him.” 

Given that Jackson was known as an unapologetic slaveholder and a brutal executor of rebellious slaves, Harby would have found him all the more appealing in the years following the Vesey incident. All of this made me consider the state of Jewish slaveholding in Charleston at the time of Jackson’s rise to the presidency. According to Ira Rosenswaike’s estimates, out of the 109 Jewish households living in Charleston in 1820, 92 families held people in bondage, totaling roughly 481 slaves out of the total enslaved population of approximately 12,652. Based on these statistics, Charleston’s Jewish population owned about 3.8 percent of the city’s enslaved population. Southern Jews, like their southern Christian fellow citizens, no doubt desired to see a president like Andrew Jackson endeavor to protect and promote their southern interests.

While I had hoped to find writings advocating religious liberty for Jews and promoting Jackson as a Jeffersonian defender of the separation of church and state, my research led me back to slavery, time and time again, as the main concern for Harby. At first this was disappointing, but soon it became more interesting, as it made me consider the changing nature of American politics for Jews in the early Republic. It occurred to me that the lack of these concerns, compared to the election of 1800 (where Jewish supporters of Thomas Jefferson were lambasted as anti-Christian radicals by John Adam’s Federalists), marked an evolution of Jewish alliances and signaled the integration of Jews within southern society and its “peculiar institution.” It is remarkable to me how much Isaac Harby’s concerns and interests match those of his white Christian neighbors and how similar his pro-Jackson writings are to those of other Jacksonians at the time. Using rhetoric that would soon become creedal for Jacksonians, Harby declared it was “the duty of Republicans…to oppose, by every means, certain doctrines, which have of late been disseminated by the advocates of banks and armies, by the admirers of courts and by the abolition society and its secret branches.” With the collapse of the first-party system and new challenges facing the American nation, Harby had transitioned from a Jeffersonian Jew to a Jacksonian Jew.

under: Charleston History, Research Projects, Southern Jewish History

Register for S 2020 Courses

Posted by: Julia Eichelberger | October 29, 2019 | No Comment |

Check our Spring 2020 course offerings. Students can study abroad, complete the First-Year Experience requirement and other Gen Ed requirements, make progress towards a major or the Honors College program, or enjoy an elective course, all while studying the South. If you haven’t taken Intro to Southern Studies (SOST 200), this Spring might be a good time to do so.  Students in this semester’s SOST 200 are enjoying visits from faculty and community members who study the South and contribute to its well-being. They’ve examined archival documents in Special Collections and enjoyed a walking tour of the neighborhood with Dr. Annette Watson/

We also heard old-time music played by the Pluff Mud String Band. Fisher Wilson, one of the members of the band, earned a C of C Music degree in 2019 after having taken SOST 200 in his senior year. Go here to see and hear them play!

Fiddle and banjo players in classroom

Ian Gleason, fiddle, and Fisher Wilson, Banjo.


This week four more faculty visited the SOST 200 class.  Students had read articles by Dale Rosengarten on sweetgrass basket artists and on Jews in South Carolina, and heard her talk about her work in person. Students had also read work on Charleston architecture by Nathaniel Walker, and they heard him talk about his research on the development of “modern” Charleston in the early 20th century.

We also read the introduction to Gibbs Knotts’s book The Resilience of Southern Identity: Why the South Still Matters in the Minds of Its People. Dr. Knotts talked to students about his work, and then we heard from Dr. Jordan Ragusa, who co-authored a new book with Gibbs Knotts, First in the South, on the South Carolina primary.

Book cover, The Resilience of Southern Identity

Professor pointing to slide in classroom

Dr. Jordan Ragusa

Still to come: visits from an environmental historian (Dr. Hayden Ros Smith) who’s written a book on rice cultivation, and from cultural anthropologist Brian Walter who’s researching the way people in our area are responding to flooding and rising sea levels. Finally we’re looking forward to learning to sing spirituals from the distinguished and talented Ann Caldwell.

Oh, and students are beginning to conduct research for their final projects, each on a topic they have chosen. Topics due by Monday, students! I’ll see y’all Tuesday in the library.

Dr. Watson discusses prisoners who were held in the City Jail.

under: Uncategorized

Charleston as a Classroom: A First-Year Seminar with Dale Rosengarten

Posted by: Julia Eichelberger | September 13, 2019 | No Comment |
Students beneath chandelier with docent at Aiken-Rhett house

Aiken-Rhett House

Dr. Dale Rosengarten is proud to share students’ work from the first-year seminar she taught in Spring 2019, “Charleston as a Classroom.”  Designed to introduce first-year students to the historical resources housed on every street in the city, the syllabus reserved Tuesday class meetings for lectures, guest speakers, document study, and discussions; on Thursdays, students took field trips to historic sites, archives, museums, cemeteries, churches, synagogues, and fellowship halls.

Class members were Bella Arcoria, Emma Baker, Jade Benson, Lauren M. Coggins, Alec Cohen, Molly S. Dougherty, Izzy (Taro) Floyd, Valentina Granada, McKenzie Heaton, Vance Lupton, Anna Martin, Madison T. McNamara, Danyel E. Meahan, Katie Nazaridis, Lauren O’Steen, Mallory Poston, Kendall Tally, Amy Vella, Asia C. Williams.

Dr. Rosengarten has created a booklet of highlights from field trip logs these students kept throughout the semester, along with some of their photographs. Click here to open and download the booklet in PDF.

January 10: Southbound: Photographs of and about the New South, Halsey Institute of Contemporary Art, St. Philip and Calhoun Streets

January 17: The Old Exchange & Provost Dungeon, 122 E. Bay Street

January 24: The Old Slave Mart Museum, 6 Chalmers Street

Students at Old Slave Mart museum with docent and historic marker

Old Slave Mart

January 31: Historic Charleston Foundation, Captain James Misroon House, 40 East Bay St

February 7: Aiken-Rhett House, 48 Elizabeth Street

February 12: An Evening With Nikky Finney, City Gallery, Waterfront Park, 34 Prioleau St

February 13: The Charleston Museum, 360 Meeting Street

February 21: Grimke Sisters Tour with Carol Ezell Gilson

Students in exterior courtyard at Drayton Hall

Drayton Hall

February 28: Drayton Hall, 3380 Ashley Hall Road

March 7: French Protestant (Huguenot) Church, Church & Queen Streets, and Huguenot Society Library, 138 Logan Street

March 14: Kahal Kadosh Beth Elohim (KKBE), 90 Hasell Street

March 28: Coming Street Cemetery, 189 Coming Street

At 35 Chapel Street, current owner discusses renovation with students

35 Chapel Street


April 2: 35 Chapel Street (ca. 1835-40), Built By Sylvia (Silvi) Miles, a Free Woman of Color, on Land Leased by William H. Holmes, A Planter who lived on Charlotte Street. Renovated by Drs. Louis and Andrea Weinstein

April 11: Catholic Diocese Archive & Cathedral of St. John the Baptist, 114 & 120 Broad Street



under: Uncategorized

Filling in the Gaps on Two SC Slave Narratives

Posted by: Julia Eichelberger | August 24, 2019 | No Comment |

Dr. Susanna Ashton, Clemson University

The English Department is proud to bring Dr. Susanna Ashton to campus as our Visiting Scholar Sept 9-11. Susanna is Professor and Chair of the English Department at Clemson University and an expert on slave narratives. On Sept 9 she will lecture on Samuel Williams, the subject of her Lowcountry Digital History Initiative exhibit (5:30 pm Addlestone 227, please register via Eventbrite.) On Sept 10 she’ll talk about John Andrew Jackson, another slave narrative author who will be the subject of a biography she is writing (5:30 pm in the EHHP Alumni Center). On Sept 11 she will conduct a faculty workshop on finding support for humanities research in archives and rare book libraries. Space limited to 20–please preregister here.

Many thanks to LDHI and Addlestone Friends of the Library and to History, African American Studies, and CLAW for their support of this event. Southern Studies is delighted to be among the co-sponsors.

Susanna’s books include I Belong to South Carolina: SC Slave Narratives, 2010; The South Carolina Roots of African American Thought, co-edited with Rhondda Thomas, and most recently, an award-winning MLA collection,  Approaches to Teaching the Works of Charles Chesnutt, co-edited with Bill Hardwig.

under: African American Studies, Charleston History, Civil War, SC, Southern Literature

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