Typically, objectification is a demeaning and disempowering practice. Object-oriented ontology, though, elevates and empowers objects, inverting the typical implications of objectification (perhaps even encouraging it). An object-oriented reading of Marie de France’s Yonec objectifies bodies in a peculiar way. It distinguishes them from the minds or souls that reside within them, while insisting that there should still be parallels (if not union) between the two.
The young lady uses this technique herself to deny her old husband a soul, referring to him as “this jealous man, / who married me to his body” (83-4). Demonizing and objectifying him, the lady rejects any spiritual tie to her husband, making their marriage a mere marriage of bodies. Her own body tainted by his, she lets its beauty go “as one does who cares nothing for it” (48). Divorcing herself from her body takes quite a toll on it, but hopefully preserves her soul.
She later learns, though, the value of the body (and beauty, for only beautiful bodies have value, it seems). Her newfound lover reminds her that the soul and body are ideally one, using his body (though her appearance) “to receive the body of our lord God” (162). The lord’s very body is sacred, and can be accessed through the body. Given this reminder that the body is meant to house the soul, “[h]er body had now become precious to her” (215). Re-embracing her body as her own, her home for Christ and romantic love, “she completely recovered her beauty” (216). The body cannot house the soul if they do not reflect each other. By this mutual dependency, the soul cannot be preserved by abandoning the body (as she tried with her marriage of bodies), any more than the body bloom without a soul.