Edna Pontellier Does Not Fail to
Identify Herself but Fails to Identify With Other People
Kate Chopin’s Edna Pontellier in The Awakening created uproar in
contemporary times due to her neglect of socially constructed roles and
ultimate suicide at the end of the novel.
Edna’s seeming abandonment of her duties as a mother and a wife to
pursue love interests and other creative desires as an independent woman
conflicted with the standards for women during the late 19th and
early 20th century. Her
suicide was not only deemed immoral by the religiously-driven notions at the
time but continues to be questioned today; more so, critics question what drove
Edna to suicide? A popular opinion is
that Edna could not find an identity and this lack of purpose or certainty of self
leads to the ultimate abandonment, that of life. However, there is a clear defense that Edna
knew exactly who she was as a person and was unwilling to sacrifice any part of
her identity in order to fit a niche dictated to her by a patriarchal society. I think that one can delve further into this
subject to say that this failure to find a suitable place in society where she
could truly be herself confounded with her inability to fraternize with other
women, which could have potentially aided in creating such a place within
society, were what drove her to her assumed suicide. Edna could not escape the confines of her
world, such as her role as a mother, nor could she create a new woman’s role
due to her failure to bond with other women. Continue reading