Bill Manaris
Professor and Interim Chair of Computer Science, Director of Computing in the Arts
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Contents

  • 1 Courses – Spring 2021
    • 1.1 CITA/CSCI 180 – Computers, Music and Art
    • 1.2 CSCI 299/399/499/690 – Interactive Algorithmic Music and Art Research
  • 2 Teaching Philosophy

Courses – Spring 2021

CITA/CSCI 180 – Computers, Music and Art

A course introducing the creative side of computing in the context of music, sounds, images, and other digital artifacts. Emphasis will be given to computer programming for music making, live performance, and interaction. Students will develop several digital artifacts and elementary musical compositions. For more information, see class webpage.

CSCI 299/399/499/690 – Interactive Algorithmic Music and Art Research

This course focuses on selected topics in the intersection of computer science and acoustics, music, sound, interaction, and avant garde forms of music composition and performance, as well as music technology. Research topics include data sonification and interaction design, spatial audio and virtual/augmented reality, music performance and digital musical instruments, interfaces for musical expression, including sensors and hardware, interactive audio and game audio, and telematic performance, among others.  For more information, see the AI, Music, and Interaction Lab webpage.

Also see academic calendar and final exam schedule (Spring 2021).

 

Teaching Philosophy

Here is my teaching philosophy as a separate page (due to its length).  It captures my thoughts / beliefs on what makes one an effective teacher (as well as an effective student, as good teaching does not happen in isolation—it requires engaged, inquisitive students).

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Copyright © 2021 Bill Manaris

Creative Commons License Content licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where indicated otherwise.

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