ANTH 319.090 | Research Methods in Expressive Culture » style

Basil Wright’s and Harry Watt’s film “Night Mail” (1936)

Moore Quinn — Tue, 24 Feb 2009 02:56:20 +0000

We have been talking about how ethnography is rarely “value free.” Neither is ethnographic film.

Take a look at “Night Mail” and ask how this film might have been different had it been made independently rather than having been funded by “interested” parties.

Night Mail, Part 1

Night Mail, Part 2

Night Mail, Part 3

Basil Wright’s film “Housing Problems” (1935)

Moore Quinn — Tue, 24 Feb 2009 02:47:34 +0000

Here we have one of the first documentary films that features “interviewing.” Do you think the interviewees are “natural”? This is also a good opportunity to begin to deal with issues of representation. How is the subject of housing treated? How are the interviewees themselves treated? Do you think this film violates modern-day ethical standards as promulgated by the IRB? What is the value of looking at this kind of footage today?

Housing Problems

Basil Wright’s film “Song of Ceylon” (1934)

Moore Quinn — Tue, 24 Feb 2009 02:42:00 +0000

I will begin the process of posting some classic documentary footage available for viewing both in and out of class. I hope students will view these materials for ideas about how ethnographic filmmakers worked (and work) their craft. Here is a classic that gives an idea of the use of “voiceover” and the “authorial” stance of the narrator. What do you think of both Basil Wright’s footage and the other techniques he uses?

Song of Ceylon

Robert and Shana Parkharrison

mjbroder — Tue, 03 Feb 2009 17:08:10 +0000

Posted by: Michael Broderick

This photographer combo is by far my favorite. Their enhanced multimedia techniques create truly captivating photos that speak for themselves but also allow room for interpretation.

“Robert Parke-Harrison and his lovely wife use old turn of the century printing techniques. They start with paper negatives, manually stitch them together ala Jerry Ulseman, wash them in special baths, and tone them using various home made toners, and many different techniques including making their own scenes. He is the photographer and she is the set designer. Old turn of the century printing techniques are employed to give the work that pictorialist look. I have met and talked with them at Mopa here in San Diego about their work and techniques. Incredibly interesting. All of their work is done as one of a kind artwork (the originals cost quite a bit like in the tens of thousands of dollars) and prints are made from the original which is normally very large. There is absolutely no digital work done.”

-Photo.net