59—“The Error from the Surveyed Lines”: Mr. Shimerda’s Grave and the Intentional Swerve of Historical Memory
69—“Why aren’t you always nice like this, Tony”: Jim’s Dream of a Bohemian Still Life
106—A Town of “Evasions and Negations”: Black Hawk and Jim’s Evolving Identity
109—The Kiss and the Reaping Hook: Jim’s Dream of Lena (later 129)
118—“A Curious Thing”: Inscribing Experience (also 125)
123—“Curious Survivals”: The Role of the Past in Jim’s Present
126—“The first to bring the muse into my country”: Jim, Cather, and the Writing of the Frontier
133—Jim and the Enduring Idea of the Frontier: Art and the Communication of the Incommunicable
139: “too many children, a cross man, and work piling up”: domestic contrast in My Antonia
152—Sweetheart or Wife, Mother or Sister: Who is Antonia to Jim?
152—Sun and Moon: Indelible Images in My Antonia
153 and 167—Leaving Images in the Mind: How Antonia Lives for Jim
174—Hunting with Cuzak’s Boys: Jim’s Alternate Life in the West of his Imagination